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She was happier now than she had been for a long time; she heard every now and then from her father and Rosalie, her husband was with her, and her love for the aunt, who was their good angel, ever increased. But still the terrible death of her mother, sister, and grandmother cast its shadow over her life, added to which was her uncertainty about Adrienne.

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She made one or two journeys to Holland and Belgium when she wished for a change, but in 1775 a terrible grief overtook her, in the death of her son, now five years old. The children were living near, and her mother was then with them when she herself caught measles, and as often happens when they are taken later in life than is usual, she was extremely ill, and it was impossible to tell her that her children had the same complaint.Votre nom? [23]
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FORE:The family of Noailles was a large and powerful one, and, as Louis XVIII. remarks in his Mmoires, Les Noailles ... etaient unis comme chair et ongle, [53] and having been loaded with favours by Louis XIV. and Louis XV., seemed to think they had a natural right to all the best posts and highest honours. [54]Often the composers Grtry, Sacchini and Martini had portions of their operas performed there before their first representation at the theatre, the singers were Garat, Asvdo, Richer, Mme. Todi, and many well-known amateurs. Cramer and Hulmandel played the piano, Salentin the hautbois, Viotti, Jarnovick, Maestrino, and Prince Henry of Prussia the violin.

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FORE:CHAPTER I[xii]

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FORE:

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ONE:Never, would Mme. Le Brun say in after years, could she forget or describe the feelings with which she drove across that bridge to find herself at the other sidesafe, free, and out of France.But fantastic and ridiculous as she was, the old Marchale went bravely to the scaffold years afterwards and died without fear.
TWO:However, she allowed herself to be persuaded: she went with her aunt constantly to Raincy, the country place just bought by the Duc dOrlans; she was attracted by the gentle, charming Duchesse de Chartres, she listened to the representations of the advantages she might secure for her children, and at length she laid the case before Mme. de Puisieux, who, unselfishly putting away the consideration of her own grief at their separation, and thinking only of the advantages to Flicit and her family, advised her to accept the position offered her.

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ONE:Ma chre amie, he replied, all that I have been hearing makes me think that the world will very soon be upside down.
FORE:[82]

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FORE:I want you to do my portrait at once.The Comtes de Provence and dArtois were married to the two daughters of the King of Sardinia, to whose eldest son the Princess Clotilde was betrothed.

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FORE:But here, in this half-barbarous country, at an immense distance from everywhere she had ever been before, with a different church, a language incomprehensible to her and a sovereign mysterious, powerful, autocratic, whose reputation was sinister, and to whose private character were attached the darkest suspicions, an additional uneasiness was [124] added to her reflections owing entirely to her habitual careless absence of mind in not having provided herself with a proper toilette for the occasion.

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ONE:AMSTERDAM



THREE:How could they let that canaille pass in! They should sweep away four or five hundred with cannon; the rest would run.

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THREE:Nobody ever saw the tapestry in question because it did not exist, and Louis XV., speaking of the story, said scornfully, Have there ever been such things as tapestries chez les Montmorin?Mme. S was carrying on a liaison with Calonne, who was very much in love with her and very often at her house; she was also sitting for her portrait to Mme. Le Brun, who looked upon her as a pretty, gentle, attractive woman, but thought the expression of her face rather false.

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I bowed with a half-smile that seemed to amuse the King. But resuming his usually grave and majestic air, he addedCatalani, then young and beautiful, was one of her new friends, and used to sing at her parties. She painted her portrait, and kept it as a pendant to the one she had done of Grassini in London.They let him in, and he saw musicians with desks and instruments, practising for the infernal scene in Robert le Diable, which Meyerbeer was going to bring out, and which sufficiently accounted for the chains, groans, and cries of that celebrated chorus.
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