FORE:The history of Neo-Platonism, subsequently to the death of Plotinus, decomposes itself into several distinct tendencies, pursuing more or less divergent lines of direction. First of all, it was drawn into the supernaturalist movement against which it had originally been, in part at least, a reaction and a protest. One sees from the life of its founder how far his two favourite disciples, Amelius and Porphyry, were from sharing356 his superiority to the superstitions of the age. Both had been educated under Pythagorean influences, which were fostered rather than repressed by the new philosophy. With Porphyry, theoretical interests are, to a great extent, superseded by practical interests; and, in practice, the religious and ascetic predominates over the purely ethical element. Still, however great may have been his aberrations, they never went beyond the limits of Hellenic tradition. Although of Syrian extraction, his attitude towards Oriental superstition was one of uncompromising hostility; and in writing against Christianity, his criticism of the Old Testament seems to have closely resembled that of modern rationalism. But with Porphyrys disciple, Iamblichus, every restraint is thrown aside, the wildest Oriental fancies are accepted as articles of belief, and the most senseless devotional practices are inculcated as means towards the attainment of a truly spiritual life.In point of style, Plotinus is much the most difficult of the ancient philosophers, and, in this respect, is only surpassed by a very few of the moderns. Even Longinus, who was one of the most intelligent critics then living, and who, besides,283 had been educated in the same school with our philosopher, could not make head or tail of his books when copies of them were sent to him by Porphyry, and supposed, after the manner of philologists, that the text must be corrupt, much to the disgust of Porphyry, who assures us that its accuracy was unimpeachable.426 Probably politeness prevented Longinus from saying, what he must have seen at a glance, that Plotinus was a total stranger to the art of literary composition. We are told that he wrote as fast as if he were copying from a book; but he had never mastered even the elements of the Greek language; and the weakness of his eyesight prevented him from reading over what he had written. The mistakes in spelling and grammar Porphyry corrected, but it is evident that he has made no alterations in the general style of the Enneads; and this is nearly as bad as bad can bedisjointed, elliptical, redundant, and awkward. Chapter follows chapter and paragraph succeeds to paragraph without any fixed principle of arrangement; the connexion of the sentences is by no means clear; some sentences are almost unintelligible from their extreme brevity, others from their inordinate length and complexity. The unpractised hand of a foreigner constantly reveals itself in the choice and collocation of words and grammatical inflections. Predicates and subjects are huddled together without any regard to the harmonies of number and gender, so that even if false concords do not occur, we are continually annoyed by the suggestion of their presence.427
