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THREE:Anne demanded Oxford's resignation. The "dragon," as Arbuthnot styled him, held the White Staff with a deadly grip; but, on the 27th of July, he was compelled to relinquish it, and that afternoon her Majesty stated to the Council her reasons for dismissing him. His confidant and creature, Erasmus Lewis, himself thus records them:��"The queen has told all the Lords the reasons of her parting with him, namely, that he neglected all business; that he was seldom to be understood; that when he did explain himself she could not depend upon the truth of what he said; that he never came to her at the time she appointed; that he often came drunk; lastly, to crown all, that he behaved himself towards her with bad manners, indecency, and disrespect."He first published an engraving of "The Small Masquerade Ticket, or Burlington Gate," in ridicule of Lord Burlington's architecture, and of Pope's eulogiums on Burlington and satire of the Duke of Chandos. He illustrated "Hudibras," and produced a satirical plate, "The Taste of the Times," in 1724; and, some years after, "The Midnight Conversation" and "Southwark Fair." Not content with the fame which this vein, so peculiarly his own, was bringing him, he had the ambition to attempt the historical style, but this was a decided failure. In 1734, however, he came out in his full and peculiar strength in "The Harlot's Progress." The melancholy truth of this startling drama, mingled with touches of genuine humour, seized at once on the minds of all classes. It became at once immensely popular; it was put on the stage, and twelve hundred subscriptions for the engravings produced a rich harvest of profit. In the following year he produced "The Rake's Progress," which, though equally clever, had not the same recommendation of novelty. In 1744 he offered for sale the original paintings of these subjects, as well as "The Four Times of the Day," and "The Strolling Actresses Dressing in a Barn;" but here he felt the effects of the sturdy English expression of his sentiments on art, and his distributing of an engraving of "The Battle of the Pictures," as a ticket of admission, gave great offence to painters and their patrons. The whole sum received was only four hundred and twenty-seven pounds. Undaunted by his self-injuring avowal of his opinions, he offered in 1750 the pictures of "Marriage �� la Mode" for sale, but put forth an advertisement in such caustic terms, as he reflected on the result of his former auction, that he effectually kept away purchasers, and obtained only a hundred and twenty pounds for what Mr. Angerstein afterwards gave a thousand pounds for. His "March to Finchley" being sent for the royal inspection, so impressed George II. with the idea that it was a caricature of his Guards, that, though the engraving of it was dedicated to him, he ordered the picture out of his sight, with expressions of great indignation. Hogarth quietly substituted the name of the King of Prussia in the dedication, as "an encourager of the arts."

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THREE:The next day all seemed quiet; but at evening, the men having got their Saturday's wages and their usual beer, there were some disturbances in Moorfields, and the mob abused some of the Catholics there. The next day, Sunday, the 4th, fresh crowds assembled in the same quarter, and attacked the houses and chapels of the Catholics, and this continued for the next three days. Troops were sent to quell them; but, having orders not to fire, the mob cared nothing for them. Some of the rioters took their way to Wapping and East Smithfield to destroy the Catholic chapels in that neighbourhood; and others burst into and plundered the shops and houses of Messrs. Rainsforth and Maberly, tradesmen, who had been bold enough to give evidence against the rioters taken on Friday. Another detachment took their way to Leicester Fields to ransack the house of Sir George Savile, the author of the Bill for the relaxation of the penal code against the Catholics. This they stripped and set fire to, and some of the pictures and furniture, as well as some of the effects taken from the Catholic chapels and houses in Moor fields, were paraded before the house of Lord George Gordon, in Welbeck Street, in triumph. The mob had now acquired a more desperate character. The fanatic members of the Protestant Association had retired in consternation from the work of destruction, seeing fresh elements introduced into it��elements not of simple religious frenzy, but of plunder and revolutionary fury. They had begun the disturbance, and the thieves, pickpockets, burglars, and all the vilest and most demoniacal tribes of the metropolis had most heartily taken it up.Larry obeyed all instructions, doing the work as Jeff gave the order. Larry was rapidly growing sure of his ability.

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