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Calling one day upon Mme. de Montesson, Mme. de Valence was told by a new servant who did not know her, that Mme. de Montesson could not be seen; she never received any one when M. de Valence was there.Every day after dinner, they had their coffee in the splendid pavilion of Louis XV. It was decorated and furnished with the greatest luxury and magnificence, the chimney-piece, doors, and locks were precious works of art.
 
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TWO:Lisette was dreadfully afraid of him, for although [141] he liked her, and was always extremely polite and pleasant to her, she never felt that she could trust him.One day Lisette met him at the house of Isabey, who, having been his pupil, kept friends with him out of gratitude, although his principles and actions were abhorrent to him. It happened that she was his partner at cards, and being rather distraite, made various mistakes, which irritated David, who was always rude and ill-tempered, and exclaimed angrily, But you made me lose by these stupid mistakes. [154] Why didnt you play me your king of diamonds? Tell me that, I say!

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FORE:

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FORE:[461]

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FORE:

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FORE:As to the Comte de Beaujolais, he was fond of her, as all her pupils were, for she was extremely kind to them, but he hated and abhorred the principles which his father and she had succeeded in instilling into his brothers and sister, longed to fight for the King and Queen, and took the first opportunity when he met the Comte de Provence in exile to tell him so and make his submission; he had sent him messages of explanation and loyalty directly he could. For more than a year, then, there had been coldness and estrangement between the Duchess and Mme. de Genlis, who, of course, as usual, posed as an injured saint. What had she done? Why this cruel change in the affection and confidence of years? Had she not sacrificed herself to her pupils? Was she not the last person to alienate their affection from their illustrious and admirable mother? Did not all the virtues of her whole life forbid her being suspected or distrusted in any way?

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FORE:However, Mme. Le Brun was overjoyed to see Jeanne, and to keep her in Paris, although she refused to live with her, because the people with whom she persisted in associating were so objectionable that her mother would not meet them.Mme. de Montesson had so far succeeded in her plan that she had, in 1773, been privately married to the Duke of Orlans. The marriage was celebrated at midnight in the presence of a small number of persons of high position. But the marriage, though known and recognised in society, was only a morganatic one. Louis XV. would never hear of her taking the rank and title of Duchess of Orlans, or any precedence that would have been the consequence. This was of course a continual grievance to her, but she was obliged to resign herself and make the best of the position, at any rate far more exalted than any to which she had the least pretension to aspire. She had an unbounded influence over the Duc dOrlans, in whose household and amongst whose friends she was always treated as a princess, and with whom she led a life of unbounded luxury and magnificence. Like Mme. de Maintenon after her morganatic marriage with Louis XIV. she renounced the title of Marquise and was known as Mme. de Montesson, possibly thinking like the hero of the well-known incident: Princesse je ne puis pas, Marquise je ne veux pas, Madame je suis.

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THREE:Eh! Madame, cried the Queen impatiently, spare us ceremonial in the face of nature.On Sunday, April 19, 1795, therefore, she left Vienna and went by Prague to Dresden, where she was of course enraptured with the world-famed gallery, and above all with the chef d?uvre of Raffaelle, the Madonna di San Sistothat vision of beauty before which every other seems dim and pale. She spent five days at Berlin, stayed a few [123] days more at the castle of her old friend Prince Henry of Prussia, and arrived at St. Petersburg late in July, very tired and exhausted with the journey in an uncomfortable carriage over roads so bad that she was jolted and flung about from one great stone to another from Riga to St. Petersburg, until her only longing was to be quiet and rest.
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THREE:However, the King soon began to yield.Que deviendront nos grands seigneurs?
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THREE:It having come to his knowledge that a plot was preparing for another massacre in the prisons on pretence of conspiracy among the prisoners, whose names and lives were at the mercy of the spies within and the police and gaolers without, he contrived by paying a hundred louis to get his own and Mme. de Coignys liberation, and after the Terror was over they married and went to England for their honeymoon. At the end of two months they were tired of each other, came back to Paris and were divorced, and the Baronne de Montrond again resumed the name of Coigny.
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TWO:She married, in 1788, the Marquis de Grammont.Though he painted this portrait in haste, with tears in his eyes, it was one of the best ever done by Isabey. [35]
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TWO:She met her daughters in a mountain village near Clermont, and the deep, fervent joy of their restoration to each other out of the shadow of death was increased by finding that the priest had just ventured to reopen the village church, where on the next day, Sunday, they again attended mass in that secluded place, and where Virginie, the younger girl, made her first Communion. And she had seen Rosalie, for Mme. de Grammont heard of her sisters release, and resolved to join her. Having very little money, and travelling by public conveyances being still unsafe, taking her diamonds she rode a mule with her three children in paniers, and her husband walking by her side. Thus they journeyed by steep mountain paths, or country lanes, but always by the most secluded ways possible. When they reached Paris, Adrienne was gone, but they resumed their primitive travelling, followed her to Auvergne, and came up with her at the little town of Brionde.I understand.
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TWO:Your youth, mes amis; and above all your na?vet. Laws are like sauces: you should never see them made.
THREE:And the liberty of M. de Fontenay.
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Painted by herselfVery well, replied the King; but what I fear is, that notwithstanding your good intentions, you will be surrounded by persons whose influence will mislead you, and owing to evil counsellors, your own abilities may perhaps even lead you to commit follies.In the fearful tragedy of the French Revolution, as in many earlier dramas in the history of that nation, one can hardly fail to be struck by the extreme youth of many, perhaps most, of the leading characters, good or bad. And the hero and heroine of this act in the revolutionary drama were young, and both remarkable for their beauty.It was only to be expected that her brilliant success, both professional and social, would expose Lisette to a considerable amount of gossip, scandal, and jealousy, the usual penalty of distinction of any kind; and she was constantly being annoyed by some false accusation or preposterous story being circulated about her.
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