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At our feet were the two walls, the outer wall enclosing the palace, the gardens, the arena, where fights were given between elephants and tigers; the inner wall, ten metres high, built round the zenanathe women's palaceof which even the foundations have almost disappeared under the overwhelming vegetation.

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A plain of dried mud, dull grey, with scarcely a tinge of yellow in places; all round the horizon softly undulating hills which looked transparent, here a tender blue, there delicately pink, in flower-like hues. One of them, rising above all the eastern chain, might be a fortress, its towers alone left standing amid the general wreck. To the west the highest summits were lost in the blue of the sky, identically the same, but that the peaks were faintly outlined with a delicate line of snow.Another magnificent temple, with marble arcades wrought to filigree, curved in frilled arches, on spindle-like columns that soar to support the cupolas, as light as flower-stems. A gem of whiteness and sheen in the desert of ruins where yet stand three matchless marvels: the tower of Khoutab, the gate of Alandin, and the column of Dhava.

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TWO:As we reached Bunnoo green cornfields extended as far as the eye could see, under mulberry trees just unfolding their leaves. Numberless channels of water irrigated the land; the bed of the Kurrum[Pg 275] alone, quite white, was flecked here and there with blue pools, and was presently lost in the rosy distance of the hills on the Afghan frontier.

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THREE:

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THREE:The heat to-day has suddenly become stifling; the low clouds veil the colourless sun, and the flowers, which yesterday were still lovely, are now[Pg 278] withered and pallid, and only give out their scent in the evening, when it is cool again.

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THREE:In this Peshawur the houses are crowded along narrow, crooked alleys, and there is but one rather wider street of shops, which here already have a quite[Pg 242] Persian character, having for sale only the products of Cabul or Bokhara. The balconies, the shutters, the verandahs and galleries are of wood inlaid in patterns like spider-net. The timbers are so slight that they would seem quite useless and too fragile to last; and yet they are amazingly strong, and alone remain in place, amid heaps of stones, in houses that have fallen into ruin. In the streets, the contrast is strange, of tiny houses with the Afghans, all over six feet high, superb men wearing heavy dhotis of light colours faded to white, still showing in the shadow of the folds a greenish-blue tinge of dead turquoise. Solemn and slow, or motionless in statuesque attitudes while they converse in few words, and never gesticulate, they are very fine, with a fierce beauty; their large, open eyes are too black, and their smile quite distressingly white in faces where the muscles look stiff-set. Even the children, in pale-hued silk shirts, are melancholy, languid, spiritless, but very droll, too, in their little pointed caps covered with gold braid, and the finery of endless metal necklaces, and bangles on their ankles and arms.Words and more words for an hour, till one of them stooping down took up a handful of sand and flung it to the earth again at her feet. The other, at this crowning insult, which, being interpreted, conveys, "There, that is how I treat you! like sand thrown down to be trodden on," covered her face with her sleeves and fled howling.

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THREE:

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THREE:First went six armed regulars, then a party on horseback, for the most part Persians, one of whom was carrying in his arms an enormous sheaf of roses, which hid him completely and drooped over the saddle.

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THREE:Soldiers, bristling with daggers and pistols in their belts, are on guard at the gate. Pikes and long muskets stand piled in the background; over this arsenal, flowering jasmine and convolvulus with enormous bell flowers hang their graceful shade.All round the sanctuary, in niches under a square cloister, are three hundred and fifty alabaster Buddhas, all alike, with the same jewel in their forehead, and on their shoulders and round their bodies[Pg 61] gold bands set with imitation gems and cut glass. An old woman, who had come thither at daybreak, had prayed to each of these Buddhas; to each she had offered up the same brief petition, she had struck the three bells on her way, and she was now in the sanctuary, calling out a prayer while beating a gong that hangs from the arch. Meanwhile other worshippers were murmuring their invocations prostrate before the jewelled Buddha.

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TWO:The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fiercethe symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands outGanesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.

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THREE:

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THREE:Outside the fortifications is a peaceful township of large gardens with row on row of tombstones and mausoleums; some of enormous size, palaces of the dead, and others smaller, but wrought like lacework of stone. For a league or more the necropolis lies on both sides of the road. Across the door of each mausoleum hangs a chain by the middle and the two ends.Steaming over the transparent and intensely blue sea, we presently perceived an opaquer streak of sandy matter, getting denser, and becoming at last liquid, extremely liquid, yellow mudthe waters of the Ganges, long before land was in sight. Between the low banks, with their inconspicuous vegetation, a desolate shore, we could have fancied we were still at sea when we had already reached the mouth of the sacred stream. Some Hindoos on board drew up the water in pails to wash their hands and face, fixing their eyes in adoration on the thick sandy fluid. Enormous steamships crossed our bows, and in the distance, like a flock of Ibis, skimmed a whole flotilla of boats with broad red sails, through which the low sun was shining. The banks closed in, the landscape grew more definitetall palm trees, plots of garden ground, factory chimneys, a high tower. On the water was an inextricable confusion of canoes and row-boats flitting among the steamships and sailing barks moored all along the town that stretched away out of sight.

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THREE:In the prince's stables were a long row of brood mares and superb stallions; and then a hundred or so of colts were turned out into the yardmischievous, frisking things, romping against each other, suddenly stopping short, and wrapped ere long in white dust, which fell on us, too.As the sun sank the citadel absorbed the gold and purple glory, and looked as though it were of some translucent half-fused metal; the towers and temples with their decoration of tiles blazed[Pg 204] against the pure sky. High over Mandir a little balcony with spindle columns, overhanging the precipice at a giddy height, caught the last rays of Surya, and flashed with a gem-like gleam above Gwalior, which was already shrouded in the blue haze of night.

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A dancing-girl went by, wrapped in white muslin as thin as air, hardly veiling the exquisite grace of her shape. Close to us, in front of two musicians playing on the vina and the tom-tom, she began to dance, jingling the rattles and bells on her anklets: a mysterious dance with slow movements and long bows alternating with sudden leaps, her hands crossed on her heart, in a lightning flash of silver necklets and bangles. Every now and then a shadow passed between the nautch-girl and the lights that fell on her while she was dancing, and then she could scarcely be seen to touch the ground, she seemed to float in her fluttering[Pg 301] drapery; and presently, before the musicians had ceased playing, she vanished in the gloom of a side alley. She had asked for nothing, had danced simply for the pleasure of displaying her grace.On entering the park the cocked turbans of the bodyguard again reminded us of the hats of the French Guards.On the river-bank were some eagles devouring a dead beast. One of them fluttered up, but came back to the carrion, recovering its balance with some difficulty, its body was so small for its large, heavy wings. Then they all rose together straight into the air with slow, broad wing-strokes, smaller and smaller, till they were motionless specks against the sky, and flew off to vanish amid the snowy peaks.At the end of the day one of the beasts could do no more. A shiver ran through the limbs of the poor thing, which, as soon as it was released from the shafts, lay down, a stream of blood staining the[Pg 274] pale sand; and in an instant, with a deep sigh, it was stiff in death.
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