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The enthusiasm of Flicit for the court of Louis XIV. found worthier objects of admiration than the Duc de Richelieu, in the excellent Marchal de Balincourt, and his friends, the Marchal de Biron and the Marquis de Carrillac. This last was ninety-one years old, Biron was eighty-six or seven, and Balincourt not more than seventy. He used to speak with envy of Biron, saying: He was thirty years old at the death of the late king. When hearing them talk together she felt herself transported into the days of that magnificent reign.

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About the former, who was deeply in love with her, and most anxious to make her his wife, she did not care at all. She found him tiresome, and even the prospect of being a princess could not induce her to marry him. Besides, she had taken a fancy to the Marquis de Fontenay, whom she had first met at the house of Mme. de Boisgeloup, who was much older than herself, and as deplorable a husband as a foolish young girl could choose.THE time had now come when the friendly farm at Wittmold, which had sheltered them in adversity, must be given up. The emigrs were returning; Mme. de la Fayette and Mme. de Grammont urged their sister to do the same, and Mme. de Tess was longing to see Paris again.
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ONE:Monsieur le Comte, I promised Madame, your mother, to take you under my guardianship during [59] her absence. Our play is too high for a young man; you will play no more pharaon at Court.But just as she was getting ready for the journey her little daughter was taken ill. She recognised with despair the fatal symptoms of her other children. She could not speak English or the doctor French, but Mme. de la Luzerne and her daughter, emigres and friends of the Duchesse dAyen, hastened from London, took up their abode at Richmond, stayed with her until after the death of the child, and then took her to London and looked after her with the greatest kindness and affection until M. de Montagu arrived, too late to see his child, distracted with grief and anxiety for his wife, and sickened and horrified with the Revolution and all the cruelties and horrors he had seen.
TWO:Oh, well! said the Countess, you must anyhow appear to have somebody; I will lend you M. Denon all the time you are here; he will give you his arm, I will take somebody elses arm, and people will think I have quarrelled with him, for you cant go about here without un ami. In euismod quam ac dictum

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ONE:
TWO:Nothing could be worse or more threatening. Revolutionary orators came down to Plauzat and soon the whole aspect of the place was changed. Peasants who before wanted to harness themselves to draw their carriage, now passed with their hats on singing ?a ira. Chateaux began to be burnt in the neighbourhood, revolutionary clubs were formed, municipalities and gardes-nationales were organised, and although the greater number of [222] their people would not join in them; cries of la lanterne were heard among the hedges and vine-yards as they walked out, from those concealed, but as yet fearing to show themselves.
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ONE:The marriages of her daughters which had so delighted her ambition, had not brought her all the happiness she expected.
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TWO:Lisette, to whom such an invitation was unfamiliar, accepted however; and the Countess then saidOthers there were who showed the basest ingratitude. The Marquise de had been saved by Mme. Tallien, and hidden for three weeks in her boudoir. Not even her maid knew of her presence there. Trzia herself not only brought her food and waited upon her, but obtained her pardon and got part of her fortune restored to her. For some time she appeared very grateful, and as long as Tallien was powerful she came constantly to see Trzia, often asking for fresh favours. FORE:

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But what to Mme. Le Brun was of great importance during her stay at Antwerp was a portrait by Rubens, the famous Chapeau de Paille, then in a private collection, where she saw and was fascinated by it. The effect of light and shade caused by the arrangement of the two different lights, the ordinary [50] light and the sunlight, was what chiefly struck her, and having studied the picture with deep attention she proceeded, on returning to Brussels, to paint her own portrait with the same kind of effect: wearing a straw hat with a wreath of wild flowers, and holding a palette in her hand.As to the Comte de Beaujolais, he was fond of her, as all her pupils were, for she was extremely kind to them, but he hated and abhorred the principles which his father and she had succeeded in instilling into his brothers and sister, longed to fight for the King and Queen, and took the first opportunity when he met the Comte de Provence in exile to tell him so and make his submission; he had sent him messages of explanation and loyalty directly he could. For more than a year, then, there had been coldness and estrangement between the Duchess and Mme. de Genlis, who, of course, as usual, posed as an injured saint. What had she done? Why this cruel change in the affection and confidence of years? Had she not sacrificed herself to her pupils? Was she not the last person to alienate their affection from their illustrious and admirable mother? Did not all the virtues of her whole life forbid her being suspected or distrusted in any way?
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