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In Mme. de Genlis we have a fourth and more complex type, a character in which good and evil were so mingled that it was often hard to say which predominated. With less beauty than the other three but singularly attractive, with extraordinary gifts and talents, with noble blood and scarcely any fortune, she spent a childhood of comparative poverty at her fathers chateau, where she was only half educated, and at seventeen married the young Comte de Genlis, who had no money but was related to most of the great families of the kingdom.

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Not like the husband her grandmamma has chosen!
Slider 1 ONE:AS M. Arsne Houssaye truly remarks, the French Revolution was not made by the people. They imagine that they made it, but the real authors were Voltaire, Condorcet, Chamfort, the two Mirabeau, La Fayette and his friends, Necker, Talleyrand, Barras, Saint-Just, &c., nearly all gentlemen, mostly nobles; by Philippe-galit, Duke of Orlans and prince of the blood; by Louis XVI. himself.Plauzat was a stately and comfortable, besides being a picturesque abode, with its immense hall hung with crimson damask and family portraits, out of which opened Paulines great bedroom, the walls of which were covered with blue and white tapestry worked by M. de Montagus grandmother, Laure de Fitzjames, grand-daughter of James II. of England.
Slider 2 ONE:Thus she wandered from place to place during the rest of her nine years of exile, generally under an assumed name; going now and then to Berlin, after the Kings death, and to Hamburg, which was full of emigrs, but where she met M. de Talleyrand and others of her own friends. Shunned and denounced by many, welcomed by others, she made many friends of different grades, from the brother and sister-in-law of the King of Denmark to worthy Mme. Plock, where she lodged in Altona, and the good farmer in Holstein, in whose farmhouse she lived. The storms and troubles of her life did not subdue her spirits; she was always ready for a new friendship, enjoying society, but able to do without it; taking an interest in everything, walking about the country in all weathers, playing the harp, reading, teaching a little boy she had adopted and called Casimir, and writing books by which she easily supported herself and increased her literary reputation.
Slider 3 ONE:Nattier
ONE:She was constantly surrounded by perils and temptations which to many would have been irresistible. Admiring eyes followed her at the theatre, people crowded round her in the gardens and places of entertainment, men of rank who wanted an opportunity of making love to her had their portraits painted by her for that purpose; but she treated them all with indifference, and when she noticed that their looks and glances were too expressive she would coolly remark: I am painting your eyes now, or would insist on the portrait being done with the eyes looking in another direction.What about?

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THREE:Speak, said the Comtesse de Flahault. Speak! Whatever my future is to be, let me know it. Tell [43] me. I have strength and courage to hear. Besides, who can assure me that what you say is true?

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ONE:IN 1779 Mme. Le Brun painted for the first time the portrait of the Queen, then in the splendour of her youth and beauty.

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THREE:

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THREE:There had been a sudden silence when he entered; no one saluted him but Mme. Le Brun, who greeted [286] him with a smile, but all regarded him with curiosity. His dress was not like those of the gentlemen present, nor of their class at all; it had a sort of Bohemian picturesqueness which rather suited his handsome, striking, sarcastic face; he was very young, not more than about twenty, but he spoke and moved with perfect unconcern amongst the uncongenial society into which he had fallen. Mme. Le Brun, tired of the stupid, contradictory remarks of the amateurs who then, as now, were eager to criticise what they knew nothing about, and nearly always said the wrong thing, exclaimed impatiently

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THREE:The infatuation of Barras for her began also to cool. He left off going to her as at one time to [342] consult her about everything. If he wished to see her, or she to see him, she must go to him at the Luxembourg.Trzia asked him to supper to meet the mistress of Ysabeau, whom she thought might influence Ysabeau in his favour. During the supper one of the revolutionary guests, observing a ring with a Love painted on it, and the inscription

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THREE:The guests were met at the park gates by young girls dressed in white, who gave them bouquets of flowers; they dined out of doors under the shade of chestnut-trees, while a band played airs from Richard C?ur-de-Lion, Castor et Pollux, etc.; [284] the only contretemps being a sudden gust of wind which took off the wigs of some of the guests: Robespierre amongst the number. Many beautiful women were present, but none could rival their lovely hostess. Toasts were drunk to her beauty, verses improvised to her Spanish eyes, her French esprit; she was declared the goddess of the fte, queen being no longer a popular word.

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ONE:The odious step-father, whose name by the by, was Jacques Fran?ois Le Svre, was annoyed at the universal admiration excited by the beauty of his wife and step-daughter. At one time he tried to [27] put a stop to their walks, and told them he had hired a country place where they would go from Saturday till Monday during the summer.

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THREE:If you have not crossed yet, stay in England till fresh orders; if my courrier meets you on the road in France wait wherever you are and do not come to Paris. A second courrier will instruct you what to do.

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THREE:Meanwhile they stayed on at the convent, where Mme. de Saint-Aubin embroidered and wrote romances, one of which she sent to Voltaire, who wrote her several flattering letters; Flicit played the harp to amuse the nuns and to assist in the services of the chapel, made friendships in the convent, and adored the good sisters, who passed their time in devotion and charity, and amongst whom reigned the most angelic harmony and peace.Neither of the young people dared speak to or [193] look at the other, but at last M. de Beaune [73] got up to be shown a portrait of Washington by de Noailles and La Fayette, who were present, and she took the opportunity of looking at him. He was not handsome, but had an attractive face, and at the end of the evening she told her mother that she was quite willing to marry him.

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THREE:For her name also was Catherine.When she had painted the head and sketched out the arms and figure, Mme. Le Brun was obliged to go to Paris. She intended to come back to finish her work, but she found the murder of Foulon and Berthier had just taken place, and the state of [77] affairs was so alarming that her one object was to get out of France. The portrait fell into the hands of Count Louis de Narbonne, who restored it to her on her returnwhen she finished it.

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THREE:Never, he said, was the Queen more truly a Queen than to-day, when she made her entry with so calm and noble an air in the midst of those furies.

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ONE:I will not come here again!

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TWO:Every one crowded to the studio of Mme. Le Brun on Sundays to see the portraits of the Grand Duchesses. Zuboff, seeing the crowd of [136] carriages which, after leaving the palace, stopped before her house, remarked to the Empress

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ONE:Pauline went out a great deal, more as a duty than a pleasure. What she really cared for most were the interviews with her mother twice a week, and the time she snatched to be with her sisters when she could.If she no longer cared for Barras nor he for her, there were plenty of others ready to worship her. M. Ouvrard, a millionaire who was under an obligation to her, heard her complain that she had no garden worth calling one. Some days later he called for her in his carriage, and took her to the door of a luxurious h?tel in the rue de Babylone. Giving her a gold key, he bade her open the door, and when she had given vent to her raptures over the sumptuous rooms and shady garden, he told her that her servants had already arrived; she was at homeall was hers.

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There Pauline had a son, and to her great joy he and the children she afterwards had lived to grow up. The farm Mme. de Tess wished for was called Wittmold, and lay at the other side of the lake upon a plain covered with pasture and ponds, as far as the eye could reach. The house stood on a promontory jutting out into the lake, and was surrounded by fields, apple trees, and pine woods. They crossed the lake in boats, and established themselves there. They could live almost entirely upon the produce of the place, for there was plenty of game, plenty of fish in the lake: the dairy farm paid extremely well, the pasture produced rich, delicious milk; they had a hundred and twenty cows, and made enormous quantities of butter, which they sold at Hamburg. It was pleasant enough in the summer, but in winter the lake was frozen, the roads covered with snow, and the cold wind from the Baltic raved round the house. However, they were thankful for the shelter of a home that most of their friends would have envied, and they lived peacefully there for four years, during which Pauline organised and carried on a great work of charity which, with the assistance of one or two influential friends, soon spread all over Europe. It was a kind of society with branches in different countries, to collect subscriptions for the relief of the French exiles, and it involved an enormous amount of letter-writing, for, if the subscriptions poured into Wittmold, so did letters of entreaty, appealing for help. But Pauline was indefatigable not only in allotting the different sums of money, [255] but in finding employment, placing young girls as governesses, selling drawings and needlework, &c.Among the Palais Royal set, it was the fashion to find fault with everything done by the royalists, to go as seldom as possible to Versailles and to pretend to find it a great bore when it was necessary to do so.
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