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ONE: TWO:Presently three beggar-women came up to sing from door to door. In their arms, like babies at the breast, they carried shapeless idols painted red, bedizened with spangles and gilt paper. They wailed out a ditty repeated again and again, knocked perseveringly at the doors, insisting on alms; and[Pg 96] then, when they had received it, they touched the threshold with their blood-coloured puppets and departed.We could see the procession coming straight up a hollow ravine from the valley to the Dokma, a path that none but Parsees are allowed to tread;[Pg 31] eight bearers in white, the bier also covered with white, and, far behind, the relations and friends of the dead, all robed in white, two and two, each pair holding between them a square of white stuff in sign of union. They came very slowly up the steps of the steep ascent with a measured chant, in muffled tones, on long-drawn vowels. And from the surrounding trees, from far and near, with a great flutter of wings, the vultures flew to meet the corpse, darkening the sky for a moment.

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THREE:As we stood up there the caravan for Cabul came in sight on the road below, and slowly disappeared wrapped in dust, with mechanical steadiness and[Pg 250] without a sound. After that came the other train of travellers from Peshawur, singing to the accompaniment of mule-bells, every sound swelled by the echo. Children's laughter came up to our ears, the scream of an elephant angry at being stopped��even at a distance we could still hear them a little��and then silence fell again under the flight of the eagles soaring in circles further and further away as they followed the caravan.

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THREE:The ugliest of these palaces is that of the Maharajah, with galleries of varnished wood, of which the windows overlooking the river are filled with gaudy stained glass. In the garden is a pagoda painted in crude colours crowned with a gilt cupola; the zenana has bright red walls striped with green, and in the grounds there is a cottage exactly copied from a villa in the suburbs of London.In the mystery of a polychrome temple, whose walls are closely covered with sculptured bas-reliefs of gods in the shape of men or animals, is a relic, the sacred tooth of Buddha; and all about the precious object, which is enclosed in a series of shrines within impenetrable walls, there is no sign of respect, but all the noise and bustle of a fair, a perfect turmoil of hurrying, chattering folk, whose only anxiety is to keep unbelievers away from the sacred spot.

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THREE:But the enchantment of this rose-tinted land, vibrating in the sunshine, is evanescent. The city[Pg 3] comes into view in huge white masses��docks, and factories with tall chimneys; and coco-palms, in long lines of monotonous growth, overshadow square houses devoid of style.

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THREE:An old man who sold us some shells, had, in the days of prosperity, made a little fortune by charming the sharks with spells and signs that kept them away from the boats, and from the naked and defenceless pearl-fishers as they plunged into the deep to seek the precious shells.

THREE:A wide open space covered with rubbish heaps was to be seen where the sepoys' barracks had been, and where from the first the men had died of the plague by hundreds. In one garden, a bungalow where a[Pg 303] man had just died was being burnt down��still burning. A party of police were encouraging the fire, and a cordon of native soldiers kept everybody else off.

THREE:

THREE:A little study of manners, as related to me by my neighbour at dinner:��Then follows a long discussion in Hindi with the bystanders, who always escort a foreigner in a mob, ending in the question��

THREE:The palace of the Rajah of Nagpoor, with its two towers, overlooks the river from above a broad stairway. A balcony quite at the top is supported on a massive cornice lightly carved into acanthus leaves. The damp has subdued the red colour of the building, fading it especially at the base, and from a distance it might be fancied that a veil of thin gauze had been hung over the palace, and fastened beneath the carved parapet.Then a girl's body was brought out, wrapped in white muslin; the bier, made of bamboo, was wreathed with marigolds, and on the light shroud there were patches of crimson powder, almost violet. The bearers, on reaching the river, placed the body in the water, leaving it there for a time.

THREE:Gauze and muslin dresses moved gracefully about against the background of bamboos and roses. Light footsteps scarcely bent the grass; the ripple of talk, with its sprinkling of Indian words, was sweet and musical. Fireflies whirled above the plants making little tendrils of light; there was dreaminess in the air��an anticipation of fairyland to which the music seemed the prelude.Inside the temple long arcades connect the shrines sunk in the thickness of the walls, gloomy recesses with images of Vishnu and other idols; where the corridors or arcades cross each other there are vast halls with a sculptured roof supported by thousands of columns. In one of these halls there is a chariot full of divinities. The wheels, the horses, the highly-venerated images, are all of marble very delicately wrought, and amazing after the coarse caricatures on the outside. In the courts again, under sheds, there are cars; one of enormous size in black wood carved with innumerable figures and interlacing patterns; pendant ornaments of the same wood sway in the wind. The solid wheels, without spokes, small and having huge axles, seem made not to turn, and the shafts, to which a whole army of the faithful harness themselves on the occasion of a high festival, are long and as thick as masts.[Pg 114] Another car, past service, lay slowly rotting in a corner; almost all its images had vanished, and its canopy had fallen off; it was almost completely hidden under aristolochia in blossom.

ONE:

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ONE:Between the large parasols are thousands of little pagodas, formed of four columns and a roof, and sheltering idols wreathed with flowers, to whom the faithful pray and bring offerings. Garlands are for ever floating down-stream, jasmine and Indian pinks, and patches of scattered rose petals; and on the banks of the river, where the sand forms little bays, flowers lie in a hem of delicate colours.In the silence of a moonless night nine o'clock struck from the great tower of the Law Courts��a pretty set of chimes, reminding me of Bruges or Antwerp; and when the peal had died away a bugle in the sepoys' quarters took up the strain of the chimes, only infinitely softer, saddened to a minor key and to a slower measure; while in the distance[Pg 32] an English trumpet, loud and clear, sounded the recall in counterpart.

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TWO:The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fierce��the symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands out��Ganesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.Every house in the town was shuttered, not a soul was to be seen in the baked streets; only here and there in a shady corner a beggar might be seen asleep. A chigram only was slowly moving along at the slow pace of two draught oxen, carrying the women of a zenana, and their constant chatter[Pg 300] within the curtains of the clumsy vehicle sounded formidably loud and discordant in the silence, the death-like exhaustion of noon. A foxy smell came up from everything that the sun was baking, and towards the end of the day it had become intolerable, corpse-like. It died away, however, after sunset.

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