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THREE:"What!" Balmayne cried, "were you mad enough to----."It was natural that one who united a great intellect to a glowing temperament should turn his thoughts to poetry. Plato wrote a quantity of versesverse-making had become fashionable just thenbut wisely committed them to the flames on making the acquaintance of Socrates. It may well be doubted whether the author of the Phaedrus and the Symposium would ever have attained eminence in metrical composition, even had he lived in an age far more favourable to poetic inspiration than that which came after the flowering time of Attic art. It seems as if Plato, with all his fervour, fancy, and dramatic skill, lacked the most essential quality of a singer; his finest passages are on a level with the highest poetry, and yet they are separated from it by a chasm more easily felt than described. Aristotle, whom we think of as hard and dry and cold, sometimes comes much nearer to the true lyric cry. And, as if to mark out Platos style still more distinctly from every other, it is also deficient in oratorical power. The philosopher evidently thought that he could beat the rhetoricians on their own ground; if the Menexenus be genuine, he tried to do so and failed; and even without its191 testimony we are entitled to say as much on the strength of shorter attempts. We must even take leave to doubt whether dialogue, properly so called, was Platos forte. Where one speaker is placed at such a height above the others as Socrates, or the Eleatic Stranger, or the Athenian in the Laws, there cannot be any real conversation. The other interlocutors are good listeners, and serve to break the monotony of a continuous exposition by their expressions of assent or even by their occasional inability to follow the argument, but give no real help or stimulus. And when allowed to offer an opinion of their own, they, too, lapse into a monologue, addressed, as our silent trains of thought habitually are, to an imaginary auditor whose sympathy and support are necessary but are also secure. Yet if Platos style is neither exactly poetical, nor oratorical, nor conversational, it has affinities with each of these three varieties; it represents the common root from which they spring, and brings us, better than any other species of composition, into immediate contact with the mind of the writer. The Platonic Socrates has eyes like those of a portrait which follow us wherever we turn, and through which we can read his inmost soul, which is no other than the universal reason of humanity in the delighted surprise of its first awakening to self-conscious activity. The poet thinks and feels for us; the orator makes our thoughts and feelings his own, and then restores them to us in a concentrated form, receiving in vapour what he gives back in a flood. Plato removes every obstacle to the free development of our faculties; he teaches us by his own example how to think and to feel for ourselves. If Socrates personified philosophy, Plato has reproduced the personification in artistic form with such masterly effect that its influence has been extended through all ages and over the whole civilised world. This portrait stands as an intermediary between its original and the far-reaching effects indirectly due to his dialectic inspiration, like that universal soul which Plato himself has placed between192 the supreme artificer and the material world, that it might bring the fleeting contents of space and time into harmony with uncreated and everlasting ideas.
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THREE:Will not give up my royalty to him!Pastor Claes, mentioned in the above proclamation, has done very much for the miserable Louvain population; they owe him especially much gratitude for an act of devotion with regard to the murdered victims.
The analogy may be carried even farther. If Plato regarded the things of sense as not merely a veil, but an imperfect imitation of the only true realities; so also did Aristotle represent the sublunary elements as copying the disposition and activities of the ethereal spheres. They too have their concentric arrangementsfirst fire, then air, then water, and lastly earth in the centre; while their perpetual transformation into one another presents an image in time of the spatial rotation which those sublime beings perform. And although we think that Sir A. Grant is quite mistaken in identifying Aristotles Supreme Mind with the Idea of Good, there can be no doubt of its having been suggested by that Idea. It is, in fact, the translation of Platos abstraction into concrete reality, and the completion of a process which Plato356 had himself begun. From another point of view we may say that both master and disciple were working, each in his own way, at the solution of a problem which entirely dominates Greek philosophy from Empedocles onthe reconciliation of Parmenides and Heracleitus, Being and Becoming, the eternal and the changeful, the one and the many. Aristotle adopts the superficial, external method of placing the two principles side by side in space; and for a long time the world accepted his solution for the same reason that had commended it to his own acceptance, its apparent agreement with popular tradition and with the facts of experience. It must be confessed, however, that here also he was following the lines laid down by Plato. The Timaeus and the Laws are marked by a similar tendency to substitute astronomy for dialectics, to study the celestial movements with religious veneration, to rebuild on a scientific basis that ancient star-worship which, even among the Greeks, enjoyed a much higher authority and prestige than the humanised mythology of the poets. But for Christianity this star-worship would probably have become the official faith of the Roman world. As it is, Dantes great poem presents us with a singular compromise between the two creeds. The crystalline spheres are retained, only they have become the abode of glorified spirits instead of being the embodiment of eternal gods. We often hear it said that the Copernican system was rejected as offensive to human pride, because it removed the earth from the centre of the universe. This is a profound mistake. Its offence was to degrade the heavenly bodies by assimilating them to the earth.254 Among several planets, all revolving round the sun, there could not be any marked qualitative difference. In the theological sense there was no longer any heaven; and with the disappearance of the solid357 sidereal sphere there was no longer any necessity for a Prime Mover."At the present moment I could not swear to my own," Bruce said helplessly."Come with me," Leona Lalage replied. "You are dreaming. Of course, there is no man in the house. Come along."An engine lathe is for many reasons called the master tool in machine fitting. It is not only the leading tool so far as performing a greater share of the work; but an engine lathe as an organised machine combines, perhaps, a greater number of useful and important functions, than any machine which has ever been [122] devised. A lathe may be employed to turn, bore, drill, mill, or cut screws, and with a strong screw-feed may be employed to some extent for planing; what is still more strange, notwithstanding these various functions, a lathe is comparatively a simple machine without complication or perishable parts, and requires no considerable change in adapting it to the various purposes named.
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