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The Duke, whose suspicions were aroused, told the King, who desired to see the snuff-box, and recognised it as one he had given to Madame Adla?de. It appeared that that young princess, then twenty years old, had taken a fancy to the garde-du-corps, who was very good-looking. The King gave him a pension of 4,000 louis to go away for a long time to the other end of the kingdom, and the affair was at an end. [64]Speak, said the Comtesse de Flahault. Speak! Whatever my future is to be, let me know it. Tell [43] me. I have strength and courage to hear. Besides, who can assure me that what you say is true?
ONE: ONE:With her fathers death vanished for ever the bright, unclouded happiness of her childhood; her life henceforth was chequered with brilliant success, artistic and social, and acute sorrows in her domestic life; like a picture in which the brightness of the lights seem to deepen the gloom of the shadows. They were very badly off, for Louis Vige had left scarcely any provision for his family, and Lisette for some time was so stunned with the shock and grief that she seemed to be sunk in despair, taking no interest in anything, and giving up even the painting which had been her passion. Doyen, amongst other friends of Vige, used to come to see them; his visits were the greatest consolation to them all, especially to the young girl, who appreciated the affection he had always shown for her father, and by him she was persuaded to resume the studies and work which alone had power to divert her mind in some degree from her sorrow. She began to paint from nature, and did several portraits both in oil and in pastel, working [22] chiefly with another young girl about a year older than herself, Mlle. Boquet, whose father kept a curiosity shop in the rue Saint Denis where he lived, and where Lisette used to go in the evenings to draw from casts by candlelight with her friend.Mme. de Montagu started first with her husband, leaving her boy with her aunt and her girl with a friend. As they were still on the proscribed list they travelled under the names of M. et Mme. Mongros. They took up their quarters in Paris at a small house kept by an old servant of M. de Thsan, where they found their cousin, the Duchesse de Duras and the Doudeauville, living under their own names, in little rooms very clean, but so scantily furnished that if any visitors arrived they had to borrow chairs from each other.

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FORE:The prison of the Carmes was a very different abode to Port Libre, and it was just at its worst time, but still Trzia used afterwards to declare that she, after a time, got accustomed to the horrors of the prison. The constant presence of death made them more and more callous, and they would play games together like children, even enacting the scenes of execution which they had every prospect of going through in reality. Their room, or cell, looked out into the garden, through a grating, into which, however, they could not go; a single mattress in a corner served for their bed.
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FORE:They let him in, and he saw musicians with desks and instruments, practising for the infernal scene in Robert le Diable, which Meyerbeer was going to bring out, and which sufficiently accounted for the chains, groans, and cries of that celebrated chorus.

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She had had great success in the number of important pictures she painted at Naples; and her [107] career at Rome was equally prosperous. She had plenty of money now, and nobody to meddle with it, and if it had not been for the constant anxiety about France she would have been perfectly happy. But French news was difficult to get and bad when it was obtained.It was not altogether easy in those days for two women of their age and class to go out unattended and unseen, and if they had been discovered it would have caused gossip and scandal. So one dark night they disguised themselves as grisettes, put on large cloaks with hoods and let themselves out through a side door in the garden of the h?tel. After a long walk they arrived, very tired and rather frightened, at a dirty house in a bad quarter, on the fifth floor of which the wizard lived. They rang a dirty-looking bell, a dingy servant appeared with a smoky lamp, and led them into a dimly-lighted room adorned with deaths heads and other weird-looking symbols. As they looked round them with misgiving a concealed door suddenly opened and the wizard stood before them dressed in a long flame-coloured robe, with a black mask, and began to make passes in the air with an ivory wand, using strange words they could not understand, while blue sulphur flames played around him.[85]
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