ONE:He sat down cross-legged on the ground, facing her. "I've got plenty of time, my dear woman. I can stop here all day if you can, you know," he assured her. Afterward he made a painting of her as she had sat there, in among the rocks and the scrub growth, aged, bent, malevolent, and in garments that were picturesque because they were rags. He called it the Sibyl of the Sierra Madre. And, like the Trojan, he plied her with[Pg 240] questions—not of the future, but of the past. "Well," he said, "are you going to answer me?"
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THREE:Felipa stood leaning against the gate post, her bare head outlined in bold black and white against the white parasol that hung over her shoulders. She was watching one of the troop herds coming up from water,—the fine, big horses, trotting, bucking, rearing, kicking, biting at each other with squeals and whinnyings, tossing their manes and whisking their tails. Some of them had rolled in the creek bed, and then in the dust, and were caked with mud from neck to croup. They frisked over to their own picket line, and got into rows for the grooming.
THREE:"I have the ranch; how could I get away?" Cairness opposed.
THREE:Cairness did not answer at once. He pushed the tobacco down in his brier and sat looking into the bowl. "No," he said at last, "I'm not too vexed. The fact is, I have seen what you mean for a long time. But what[Pg 318] would you suggest by way of remedy, if I may ask?" They were both talking too low for their voices to reach Felipa through the open window of her bedroom.
