
FORE: When I speak of the division of the intellectual, you will also understand me to speak of that knowledge which reason herself attains by the power of dialectic, using the hypotheses not as first principles, but only as hypothesesthat is to say as steps and points of departure into a region which is above hypotheses, in order that she may soar beyond them to the first principle of the whole; and clinging to this and then to that which depends on this, by successive steps she descends again without the aid of any sensible object, beginning and ending in ideas.560

FORE:In 1710 was established the Academy of Ancient Music, the object of which was to promote the study of vocal and instrumental harmony. Drs. Pepusch, Greene, and other celebrated musicians were amongst its founders. They collected a very valuable musical library, and gave annual concerts till 1793, when more fashionable ones attracted the public, and the society was dissolved. In 1741 was established the Madrigal Society, the founder of which was John Immyns, an attorney. It embraced men of the working classes, and held meetings on Wednesday evenings for the singing of madrigals, glees, catches, etc. Immyns sometimes read them a lecture on a musical subject, and the society gradually grew rich. The composers of such pieces at this period were such men as Purcell, Eccles, Playford, Leveridge, Carey, Haydn, Arne, etc. Public gardens became very much the fashion, and in these, at first, oratorios, choruses, and grand musical pieces were performed, but, by degrees, gave way to songs and catches.[157] Vauxhall, originally called Spring Garden, established before the Revolution, became all through this period the fashionable resort of the aristocracy, and to this was added Ranelagh, near Chelsea College, a vast rotunda, to which crowds used to flock from the upper classes on Monday, Wednesday, and Friday evenings, to hear the music and singing. These performances spread greatly the taste for music, and probably excited the alarm of the puritanically religious, for there arose a loud outcry against using music in churches, as something vain and unhallowed. Amongst the best publications on the science of music during this period were Dr. Holder's "Treatise on the Natural Grounds and Principles of Harmony," 1694; Malcolm's "Treatise on Music, Speculative, Practical, and Historical," 1721; Dr. Pepusch's "Treatise on Harmony," 1731; Dr. Smith's "Harmonics; or, the Philosophy of Musical Sounds;" Avison's "Essay on Musical Expression," 1752. Avison also published twenty-six concertos for a band, which were much admired.Thus with Plutarch, as with his master Plato, a future world is the grand court of appeal from the anomalies and inequalities of this world; and, following the example of the Gorgias and the Republic, he reserves to the last a terrible picture of the torments held in store for those who have not expiated their transgressions on earth, describing them as they are supposed to have been witnessed by a human soul temporarily separated from the body for the purpose of viewing and reporting on this final manifestation of divine justice. It would appear, however, from the narrative in question that future punishments are not eternal. After a more or less protracted period of expiation, the immortal soul is restored to the upper world, under whatever embodiment seems most appropriate to its former career. Among those whose turn has arrived for entering on a new existence at the moment when Plutarchs visitor makes his descent to hell, is the soul of Nero. The wicked Emperor has just been condemned to assume the form of a viper, when a great light shines forth, and from the midst of the light a voice is heard crying:268 Let him reappear under the guise of a song-bird haunting the neighbourhood of marshes and meres; for he has already paid the penalty of his guilt, and the gods owe him some kindness for having liberated Greece, the best and most beloved by them of all the nations that he ruled.

FORE:Sir Samuel Garth, author of "The Dispensary," a mock-heroic poem in six cantos, and Sir Richard Blackmore, another physician, and author of a whole heap of epics in ten or twelve books eachas "King Arthur," "King Alfred," "Eliza," "The Redeemer," etc.may still be found in our collections of verse, but are rarely read. Dr. Young's "Night Thoughts" yet maintain their place, and are greatly admired by many, notwithstanding his stilted style and violent antithesis, for amid these there are many fine and striking ideas.98
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