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WHILE Mme. de Genlis was safe and enjoying herself in England terrible events were happening in France. The Duke of Orlans, already infamous in the eyes of all decent people, was beginning to lose his popularity with the revolutionists. He [125] could not doubt the discredit into which he had fallen, the flight of his son [126] exposed him to dangerous suspicions; it was decided to get rid of him. He had demanded that his explanations should be admitted, but he was advised to ask rather, in the interest of your own safety, for a decree of banishment for yourself and your family.

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But his position at Paris was too powerful and his friends too numerous to allow him to be at once attacked with impunity. It was Trzia who was to be the first victim. Robespierre dreaded her influence, her talents, her popularity, her opinions, and the assistance and support she was to Tallien.Louis Vige was a charming and excellent man, well known in literary circles. He had been imprisoned for a time in Port Libre, but afterwards released.She found La Fayette as usual very affectionate to her, very much opposed to their emigrating, quite confident in the virtues of the mob, who were burning, robbing, and murdering all over the country, and whose idol he still was.
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ONE:Au salon ton art vainqueur TWO:IN 1779 Mme. Le Brun painted for the first time the portrait of the Queen, then in the splendour of her youth and beauty.


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THREE:Mme. de Polignac shuddered; exclaiming that she would never of her own accord leave her mistress, or if an absence was necessary to her health it should be a short one.CHAPTER III

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THREE:

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THREE:It was, of course, obvious that this was done in order that the carriage and servants of Mme. Le Brun being seen at night at the h?tel des Finances, the scandal might be diverted from Mme. S to the innocent owner of the carriage.

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THREE:Et tranquille je veille, et ma veille aux remords,But the changed aspect of Paris, the loss of so many she loved, and perhaps most of all the ungrateful conduct of her daughter, depressed Mme. Le Brun so that she lost her spirits, had a perpetual craving to be alone, and for this purpose took a [150] little house in the wood of Meudon, where, except for the visits of the Duchesse de Fleury and one or two other friends who lived near, she could to a certain extent indulge in her new fancy for solitude.
THREE:as she sang these words she laid her hand upon [61] her heart and, turning to the Queens box, bowed profoundly. As this was in the beginning of the Revolution, there were many who wished to revenge themselves in consequence, and tried to force her to sing one of the horrible revolutionary songs which were then to be heard constantly upon the stage. She refused indignantly, and left the theatre. Her husband, Dugazon, the comic actor, on the contrary, played an atrocious part during the Revolution. Although he had been loaded with benefits by the royal family, especially the Comte dArtois, he was one of those who pursued them to Varennes. Mme. Le Brun was told by an eye-witness that he had seen this wretch at the door of the Kings carriage with a gun upon his shoulder.
THREE:The tablets had two columns, over one of which was written, Calculations of the infidelities of my husband during the five years of our marriage. They were written down year by year, and when all added up, came to twenty-one.
THREE:Well! we will promise it him; yes, we will promise him.A crowd began to gather, and he went on in a loud voice
THREE:Proscribed me?Louis XV., at this time about forty-five, extremely handsome, immersed in a life of pleasure, magnificence, and vice, was then under the domination of the Duchesse de Chateauroux, ma?tresse en titre, the youngest of the five daughters of the Marquis de Nesle, four of whom had been for a longer or shorter period the mistresses of Louis XV. That such a father as the King should have had such a son as the Dauphin is astonishing indeed. The author of some fascinating memoirs of the day writes of him, If I have not yet spoken of M. le Dauphin, do not suppose that it is from negligence or distraction, it is because the thought of his death always envelopes my mind like a funeral pall. His premature end is ever present with me, and is a subject of regret and affliction which I cannot approach without terrible emotion. He was so grievously mourned for, he has been so universally and justly praised, that there would not be much left me to tell you if I were not to speak of his perfect beauty, which was the least of his perfections, and which perhaps for that very reason, the writers of his time never mention.... His face and figure were perfectly formed; and he had, especially in the movement of his lips and the gentle, melancholy pride of his great black eyes, an expression which I have never seen unless perhaps in some old picture of the Spanish school ... he might have been an archangel of Murillo.... He carried with him the happiness of France and the peace of the world, but one felt that it would have [166] been perfect happiness, and that one would never experience it. The subjects, perhaps the family of the King his father had provoked such terrible chastisements, that we may sorrowfully say that France and the French of the eighteenth century were not worthy to be ruled by the Dauphin Louis. [56]
THREE:As they were talking one day on the subject to Father Carrichon, the Duchess asked him if he would promise to be with them at the foot of the scaffold. He did so, adding that he would wear a dark blue coat and a red carmagnole.
ONE:

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ONE:What is the matter? she exclaimed.A few minutes later the Countess said that Mme. Le Bruns painting blouse was so convenient she wished she had one like it; and in reply to her offer [120] to lend her one said she would much rather Mme. Charot made it, for which she would send the linen. When it was finished she gave Mme. Charot ten louis.
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