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ONE:
TWO:Close to a village that has sprouted under the baobab-trees, in the midst of the plain that once was Khoutab, in the court of a mosque, is the marble sarcophagus of a princess. Grass is growing in the hollow of the stone that covers her, in fulfilment of the wishes of the maiden, who in her humility desired that when she was dead she should be laid to rest under the common earth whence the grass grows in the spring. And not far from the rajah's daughter, under a broad tamarind tree, in the blue shade, is the tomb of Kushru, the poet who immortalized Bagh-o-Bahar. On the sarcophagus, in the little kiosk, was a kerchief of silk and gold, with a wreath of fresh flowers renewed every day by the faithful. In euismod quam ac dictum

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ONE:A dancing-girl went by, wrapped in white muslin as thin as air, hardly veiling the exquisite grace of her shape. Close to us, in front of two musicians playing on the vina and the tom-tom, she began to dance, jingling the rattles and bells on her anklets: a mysterious dance with slow movements and long bows alternating with sudden leaps, her hands crossed on her heart, in a lightning flash of silver necklets and bangles. Every now and then a shadow passed between the nautch-girl and the lights that fell on her while she was dancing, and then she could scarcely be seen to touch the ground, she seemed to float in her fluttering[Pg 301] drapery; and presently, before the musicians had ceased playing, she vanished in the gloom of a side alley. She had asked for nothing, had danced simply for the pleasure of displaying her grace.
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ONE:The ripe rice, in golden ears, is cut with sickles; a row of women in red gather it into sheaves, which men carry on their back, at once, to the next village, and there it is threshed out forthwith on floors but just swept.Our last evening at the Residency, where I had spent days made enchanting by music.
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ONE:In the heart of an extensive park, where wide lawns are planted with gigantic baobabs and clumps of bamboo and tamarind, stands an important-looking building, hideously modern in a mixture of heterogeneous styles and materials, of a crude yellow colour, and much too new. There is no attempt at unity of effect. A central dome crowns the edifice and a square tower rises by the side of it. Some portions, like pavilions, low and small, carry ornaments disproportioned to their size; while others, containing vast halls, have minute windows pierced[Pg 52] in their walls, hardly larger than loopholes, but framed in elaborate sculpture and lost in the great mass of stone. Arcades of light and slender columns, connected by lace-like pierced work of alarming fragility, enclose little courts full of tree-ferns and waving palms spreading over large pools of water. The walls are covered with niches, balconies, pilasters, and balustrades carved in the Indian style, the same subjects constantly repeated.
TWO:[Pg 73] FORE:The children of the bazaar watched them pass, holding out in their fingers scraps of foodthe remains of cakes, green fruit, or handfuls of rice, and the famishing creatures quarrelled for the morsels, frightening the little ones, who fled. Then they disappeared silently under the awnings, filling the air with a smell of dust and pepper, scaring the pigeons away from the pool for ablutions, and the birds fluttered up in dismay in the rosy sunset glow, seeking some other refuge for the night.

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ONE:The Jumna Musjid, in the middle of the bazaar, is a reminder of the mosque at Cordova. A thousand[Pg 63] unmatched columns stand in utter confusion of irregular lines, producing a distressing sensation of an unfinished structure ready to fall into ruins. Every style is here, and materials of every description, brought hitheras we are told by the inscription engraved over one of the lofty pointed doorwaysfrom the temples of the unbelievers destroyed by Shah Mahmoud Bogarat, the taker of cities, that he might, out of their remains, raise this mosque to the glory of Allah. In the centre of the arcade a large flagstone covers the Ja?n idol, which was formerly worshipped here; and my servant Abibulla, as a good Moslem, stamped his foot on the stone under which lies the "contemptible image." Some workmen were carving a column; they had climbed up and squatted balanced; they held their tools with their toes, just chipping at the marble in a way that seemed to make no impression, chattering all the time in short words that seemed all of vowels.
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In booths between these houses, the gamblers, standing round a board with numbered holes, were watching the ball as it slowly spun round, hit the edge, seemed to hesitate, and at last fell into one of the cups. Four-anna pieces, ten-rupee notesanything will serve as a stake for the Hindoo ruffian in a starched shirt-front, low waistcoat and white tie, above the dhouti that hangs over his bare legs; or for the half-tipsy soldier and sailor,[Pg 28] the cautious Parsee who rarely puts down a stake, or the ragged coolie who has come to tempt fortune with his last silver bit.The post-chaise was a tonga, escorted by a mounted sowar, armed with a naked sword. He rode ahead at a rattling trot, but the clatter was drowned by the shouts of the driver and of the sais, who scrambled up on the steps and urged the steeds on with excited flogging.A kshatriya, a very old man, had seen me yesterday returning from Ramnagar with my necklet of silver threads. Convinced by this that I must be "a Europe Rajah," he tormented me to grant him a title. He wanted to be Raj Bahadur; this was the height of his ambition. After following me about the bazaar all the morning, he sat for a long time in my room. So, to get rid of him, seeing[Pg 180] that he persisted in hoping that I should call him Raj Bahadur, I did so; this, however, did not satisfy him: I must write it down on paper. At last I consented. Quite delighted now, he went off to shout the words to his friends, who had been waiting for him in the garden, and then, very solemn, and conscious of his new dignity, he disappeared down the road.It was a miserable assemblage of booths and tumble-down dwellings, crowded round a sumptuous old palace with porticoes carved with divinities. The new town consists of modern buildings, devoid of[Pg 86] style, the residence of wealthy Parsee merchants. Here are libraries, archivesall kinds of offices, which seem so useless here, and which, till I was told what they were, I took to be a prison.
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