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She really cared very little for the money she so easily made, all her love was for her art, which alone had the power to raise her above the petty miseries and troubles of her present life.

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With a King of five years old, and such a Regent as the Duke of Orlans, they were tolerably sure of both. The reign of pleasure, luxury, and licence began with enthusiasm. Never, during the life of Louis le Grand, had the atmosphere of the Court been what it became under the regency, and under his great-grandson.Meanwhile, those who could not believe in God, set up as their guide the abstraction they called Nature, which, if they had followed to the logical consequences, would have led them back to the state of savages. There were, in fact, some who proposed to live out of doors with very scanty clothing, and who had begun to cut down a tree and light a fire when their plans of life were suddenly frustrated by the appearance of the police.
Company Logo TWO:Mme. Le Brun painted the portraits and went to the parties of the chief Roman families, but did not form many intimate friendships amongst them, for most of her spare time was spent with the unfortunate refugees from France, of whom there were numbers in Rome during the years she lived there. Many of them were her friends who had, like herself, managed to escape. Amongst these were the Duke and Duchess de Fitz-James and their son, also the Polignac family, with whom Mme. Le Brun refrained out of prudence from being too much seen, lest reports should reach France that she was plotting with them against [97] the Revolution. For although she was out of the clutches of the Radicals and Revolutionists her relations were still within their reach, and might be made to suffer for her.
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TWO:Here she finished the portrait of the young Princess von Lichtenstein, as Iris. As she was represented with bare feet, her husband told Mme. Le Brun that when it was hung in his gallery, and the heads of the family came to see it, they were all extremely scandalised, so he had placed a pair of little shoes on the ground under it, and told the grand-parents they had dropped off.

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TWO:The ease and gentle gaiety which pervaded these light evening repasts gave them a charm which was never found in a dinner-party; there was a kind of intimacy and confidence amongst the guests, who, being perfectly well-bred people, knew how to dispense with all formality and restraint.
THREE:The Duc de Berri, second son of the Comte dArtois, was often at her house, and she met also the sons of Philippe-galit, the eldest of whom was afterwards Louis-Philippe, King of France. She was in London when the news came of the murder of the Duc dEnghien, and witnessed the outburst of horror and indignation it called forth. His father, the Duc de Bourbon, came to see her a month later, so changed by grief that she was shocked. He sat down without speaking, and then covering his face with his hands to conceal his tears, he said, No! I shall never get over it.

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THREE:[234]

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THREE:However they were none of them in the same danger that she would have been had she remained at Paris. None of them were at all conspicuous, and as far as any one could be said to be tolerably safe in France under the new reign of Liberty, Equality, and Fraternity, they might be supposed to be so.I have no doubt of it; and if circumstances favour you, I hope you will leave M. le Dauphin far behind.

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TWO:He was, in fact, a visionary, credulous enthusiast, with an overweening vanity and belief in his own importance; obstinate and self-confident to a degree that prevented his ever seeing the fallacy of his views. His own conceit, and the flattery and adulation of his family and friends, made him think that he, and no other, was the man to save and direct France. His very virtues and attractions [210] were mischievous in converting others to his unpractical and dangerous views.People are stupid, answered the prince, who have not the sense to do properly what they undertake to do. THREE:Nothing but reforms were talked of when Louis XVI. and Marie Antoinette came to the throne; but of course everything proposed excited the opposition and ridicule of one party or the other.
TWO:Lisette was now rapidly becoming very pretty, to the great satisfaction of her mother, who, seeing that in spite of her busy life and deep interest in her work, her spirits still suffered from the loss of her father, tried to give her all the distraction possible. She would take her to walk in the Tuileries gardens, where the beauty of both mother and daughter attracted much attention; and what pleased her most, to see all the picture galleries possible. They often went to the Luxembourg, in the galleries of which were then the Rubens and many others of the old masters now in the Louvre; besides which they saw all the good private collections. By far the best at that time was the gallery of the Palais Royal, collected by the Regent, Duc dOrlans. These pictures were sold in the Revolution. Many of them were bought by Lord Stafford.
The Duc de Chartres came and joined them at Tournay, where Mademoiselle dOrlans was taken dangerously ill with a bilious fever. She recovered slowly, but in January, 1793, letters from France brought the news of the execution of Louis XVI., of the infamous part played by Philippe-galit, and of the imminent danger of M. de Sillery.Yes, he replied.For some little time the Comte dArtois had been regarding the sister of one of his valets de pied with an admiration which she was evidently quite ready to return. Finding some difficulty in getting an interview with her, he applied to her brother who, delighted at the fancy of the Prince for his sister, and the probable advantages it might bring, promised his assistance, and arranged that the young girl, who was extremely pretty, should meet him dressed as a peasant in the cottage of a forester of Compigne.Sire, when are these two pictures to be exhibited?In the fearful tragedy of the French Revolution, as in many earlier dramas in the history of that nation, one can hardly fail to be struck by the extreme youth of many, perhaps most, of the leading characters, good or bad. And the hero and heroine of this act in the revolutionary drama were young, and both remarkable for their beauty.
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