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FORE:All sorts of preposterous stories were circulated about it and about them. Some said M. de Calonne had given Mme. Le Brun a number of bonbons, called papillottes, wrapped up in bank-notes; others that she had received in a pasty a sum of money large enough to ruin the treasury: the truth being that he had sent her, as the price of his portrait, four thousand francs in notes in a box worth about twenty louis, and this was considered by no means a high price for the picture. M. de Beaujon had given her eight thousand francs for a portrait of the same size a short time before, without anybody finding the least fault. The character of Calonne was such that no woman who cared about her reputation would wish her name to be connected with his.Que deviendront nos belles dames?

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FORE:But the condition of Pauline, brought up in all the luxury and magnificence of the h?tel de Noailles, and suddenly cast adrift in a country the language and habits of which were unknown to her, with very little money and no means of getting more when that was gone, was terrifying indeed. She did not know where anything should be bought, nor what it should cost; money seemed to her to melt in her hands. She consulted her husband, but he could not help her. If she tried to make her own dresses, she only spoilt the material, as one can well imagine. Their three servants, the German boy, a Dutch woman, and after a little while an English nurse, could not understand each other, but managed to quarrel perpetually and keep up the most dreadful chatter. Her child, this time a son, was born on March 30th, Easter Day. She had looked forward to celebrating that festival at [237] the new church then to be opened, at which many of the young people were to receive their first Communion. Pauline, like all the rest of the French community, had been intensely interested and occupied in the preparations. Flowers were begged from sympathising friends to decorate the altar, white veils and dresses were made for the young girls by their friends, all, even those whose faith had been tainted and whose lives had been irreligious, joining in this touching and solemn festival, which recalled to them their own land, the memories of their childhood, and the recollection of those they had lost.

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THREE:Neither a genius nor yet possessed of any great artistic or intellectual talent, without worldly ambition, little attracted by the amusements of society, she was a sort of mixture of a grande dame and a saint.��Est-ce �� moi de mourir? Tranquille je m��endors,

TWO:��Do not say a word to any one,�� said the Prince. ��I will undertake to turn out the insolent fellow without making a scandal, unless you will do it yourself.��

TWO:Mme. de Genlis lived to see her great-grandchildren, and also to see her pupil, the Duc de Orl��ans, upon the throne. She had never, of course, again the life of riches and splendour which for many years she had enjoyed; but she was philosophical enough not to trouble herself much about that; she had the interest of her literary pursuits, a large circle of acquaintances, the affection of her family and of her adopted children. Alfred turned out extremely well, and Casimir made an excellent marriage, settled at Mantes and devoted himself to good works, so that his adopted mother said his [485] household was saintly. She was always welcome there.The Duc d��Ayen spent the terrible night of August 9th in the Tuileries, and both of them followed the King to the Assembly. Even M. de Grammont, who had been strongly infected with the ideas of the time, and even belonged to the National Guard, ran great risk of his life by his support of the King on that day.

TWO:He gave Lisette lessons in oil-painting for which his wife used to come and fetch her. They were so poor that on one occasion when she wished to finish a head she was painting, and accepted their invitation to stay and dine, she found the dinner consisted only of soup and potatoes.

TWO:The great picture of Marie Antoinette and her three children, which under Napoleon had been hidden away in a corner at Versailles, was taken out and exhibited at the Salon, where every one crowded to look at it. Again she painted the portraits of the royal family, contrasting the simple, gracious politeness of the Duchesse de Berri, of whom she did two portraits, with the vulgar, pretentious airs of Caroline Murat.So after much hesitation she consented, but so reluctantly, that even on her way to the church where the marriage was to be celebrated, [19] she still doubted and said to herself, ��Shall I say Yes or No?�� The wedding, however, took place, and she even agreed to its being a private one, and being kept secret for some time, because M. Le Brun was engaged to the daughter of a Dutchman with whom he had considerable dealings in pictures, and whom he continued to deceive in this matter until their business affairs were finished.

THREE:In the family of Noailles there had been six Marshals of France, and at the time of the marriage, the old Mar��chal de Noailles, grandfather of the Count, was still living. [55] At his death, his son, also Mar��chal, became of course Duc de Noailles, and his son, the husband of Mlle. d��Aguesseau, Duc d��Ayen, by which name it will be most convenient to call him to avoid confusion, from the beginning of this biography.At length she did so, and M. de Kercy, flinging himself upon her neck, exclaimed��