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THREE:Every great system of philosophy may be considered from four distinct points of view. We may ask what is its value as a theory of the world and of human life, measured335 either by the number of new truths which it contains, or by the stimulus to new thought which it affords. Or we may consider it from the aesthetic side, as a monumental structure interesting us not by its utility, but by its beauty and grandeur. Under this aspect, a system may be admirable for its completeness, coherence, and symmetry, or for the great intellectual qualities exhibited by its architect, although it may be open to fatal objections as a habitation for human beings, and may fail to reproduce the plan on which we now know that the universe is built. Or, again, our interest in the work may be purely historical and psychological; we may look on it as the product of a particular age and a particular mind, as summing up for us under their most abstract form the ideas and aspirations which at any given moment had gained possession of educated opinion. Or, finally, we may study it as a link in the evolution of thought, as a result of earlier tendencies, and an antecedent of later developments. We propose to make a few remarks on the philosophy of Plotinus, or, what is the same thing, on Neo-Platonism in general, from each of these four points of view.

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THREE:Spottiswoode & Co., Printers, New-street Square, London.There was the crunching of heavy feet up above, on the gravel. It came to them both, even to her, that for them to be seen there together would be final. There would be no explaining it away. Cairness thought of her. She thought of her husband. It would ruin him and his life.

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THREE:In 1710 was established the Academy of Ancient Music, the object of which was to promote the study of vocal and instrumental harmony. Drs. Pepusch, Greene, and other celebrated musicians were amongst its founders. They collected a very valuable musical library, and gave annual concerts till 1793, when more fashionable ones attracted the public, and the society was dissolved. In 1741 was established the Madrigal Society, the founder of which was John Immyns, an attorney. It embraced men of the working classes, and held meetings on Wednesday evenings for the singing of madrigals, glees, catches, etc. Immyns sometimes read them a lecture on a musical subject, and the society gradually grew rich. The composers of such pieces at this period were such men as Purcell, Eccles, Playford, Leveridge, Carey, Haydn, Arne, etc. Public gardens became very much the fashion, and in these, at first, oratorios, choruses, and grand musical pieces were performed, but, by degrees, gave way to songs and catches.[157] Vauxhall, originally called Spring Garden, established before the Revolution, became all through this period the fashionable resort of the aristocracy, and to this was added Ranelagh, near Chelsea College, a vast rotunda, to which crowds used to flock from the upper classes on Monday, Wednesday, and Friday evenings, to hear the music and singing. These performances spread greatly the taste for music, and probably excited the alarm of the puritanically religious, for there arose a loud outcry against using music in churches, as something vain and unhallowed. Amongst the best publications on the science of music during this period were Dr. Holder's "Treatise on the Natural Grounds and Principles of Harmony," 1694; Malcolm's "Treatise on Music, Speculative, Practical, and Historical," 1721; Dr. Pepusch's "Treatise on Harmony," 1731; Dr. Smith's "Harmonics; or, the Philosophy of Musical Sounds;" Avison's "Essay on Musical Expression," 1752. Avison also published twenty-six concertos for a band, which were much admired.

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