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TWO:"Because my desperate woman hides by the scene of her crime. I was a little dubious about you because that comes out in my plot. Perhaps you counted upon that, and the fact I should not look for you here, after all. It was a game of subtle cross-purposes. But I did look for you here, and I found you. It is a rather long story that I have had to tell, but it has been necessary. And if I repeated it in a court of law I am afraid it would cause you serious inconvenience."

TWO:"You got my letter, Luigi?" Lalage asked. The man addressed as Luigi nodded.It is well known that Spinoza draws a sharp line of demarcation between the two attributes of Extension and Thought, which, with him, correspond to what are usually called body and mind. Neither attribute can act on the other. Mind receives no impressions from body, nor does body receive any impulses from mind. This proposition follows by rigorous logical necessity from the Platonic principle that mind is independent of body, combined with the Stoic principle that nothing but body can act on body, generalised into the wider principle that interaction implies homogeneity of nature. According to some critics, Spinoza��s teaching on this point constitutes a fatal flaw in his philosophy. How, it is asked, can we know that there is any such thing as body (or extension) if body cannot be perceived,��for perceived it certainly cannot be without acting on our minds? The idea of infinite substance suggests a way out of the408 difficulty. ��I find in myself,�� Spinoza might say, ��the idea of extension. In fact, my mind is nothing but the idea of extension, or the idea of that idea, and so on through as many self-reflections as you please. At the same time, mind, or thought, is not itself extended. Descartes and the Platonists before him have proved thus much. Consequently I can conceive extension as existing independently of myself, and, more generally, of all thought. But how can I be sure that it actually does so exist? In this wise. An examination of thought leads me to the notion of something in which it resides��a substance whose attribute it is. But having once conceived such a substance, I cannot limit it to a single attribute, nor to two, nor to any finite number. Limitation implies a boundary, and there can be no boundary assigned to existence, for existence by its very definition includes everything that is. Accordingly, whatever can be conceived, in other words whatever can be thought without involving a contradiction,��an important reservation which I beg you to observe,��must necessarily exist. Now extension involves no contradiction, therefore it exists,��exists, that is to say, as an attribute of the infinite substance. And, by parity of reasoning, there must be an idea of extension; for this also can exist without involving a contradiction, as the simplest introspection suffices to show. You ask me why then I do not believe in gorgons and chimaeras. I answer that since, in point of fact, they do not exist, I presume that their notion involves a contradiction, although my knowledge of natural law is not sufficiently extended to show me where the contradiction lies. But perhaps science will some day be able to point out in every instance of a non-existing thing, where the contradiction lies, no less surely than it can now be pointed out in the case of impossible geometrical figures.�� In short, while other people travel straight from their sensations to an external world, Spinoza travels round to it by the idea of an infinite substance.564

TWO:It is exceedingly difficult for an apprentice engineer, without experimental knowledge, to choose plans for his own education, or to determine the best way of pursuing such plans when they have been chosen; and there is nothing that consumes so much time, or is more useless than attempting to make original designs, if there is not some systematic method followed.The glowing enthusiasm of Plato is, however, not entirely derived from the poetic traditions of his native city; or perhaps we should rather say that he and the great writers who preceded him drew from a common fount of inspiration. Mr. Emerson, in one of the most penetrating criticisms ever written on our philosopher,129 has pointed out the existence of two distinct elements in the Platonic Dialogues��one dispersive, practical, prosaic; the other mystical, absorbing, centripetal. The American scholar is, however, as we think, quite mistaken when he attributes the second of these tendencies to Asiatic influence. It is extremely doubtful whether Plato ever travelled farther east than Egypt; it is probable that his stay in that country was not of long duration; and it is certain that he did not acquire a single metaphysical idea from its inhabitants. He liked their rigid conservatism; he liked their institution of a dominant priesthood; he liked their system of popular education, and the place which it gave to mathematics made him look with shame on the ��swinish ignorance�� of his own countrymen in that respect;130 but on the whole he classes them among the races exclusively devoted to money-making, and in aptitude for philosophy he places them far below the Greeks. Very different were the impressions brought home from his visits to Sicily and204 Southern Italy. There he became acquainted with modes of thought in which the search after hidden resemblances and analogies was a predominant passion; there the existence of a central unity underlying all phenomena was maintained, as against sense and common opinion, with the intensity of a religious creed; there alone speculation was clothed in poetic language; there first had an attempt been made to carry thought into life by associating it with a reform of manners and beliefs. There, too, the arts of dance and song had assumed a more orderly and solemn aspect; the chorus received its final constitution from a Sicilian master; and the loftiest strains of Greek lyric poetry were composed for recitation in the streets of Sicilian cities or at the courts of Sicilian kings. Then, with the rise of rhetoric, Greek prose was elaborated by Sicilian teachers into a sort of rhythmical composition, combining rich imagery with studied harmonies and contrasts of sense and sound. And as the hold of Asiatic civilisation on eastern Hellas grew weaker, the attention of her foremost spirits was more and more attracted to this new region of wonder and romance. The stream of colonisation set thither in a steady flow; the scenes of mythical adventure were rediscovered in Western waters; and it was imagined that, by grasping the resources of Sicily, an empire extending over the whole Mediterranean might be won. Perhaps, without being too fanciful, we may trace a likeness between the daring schemes of Alcibiades and the more remote but not more visionary kingdom suggested by an analogous inspiration to the idealising soul of Plato. Each had learned to practise, although for far different purposes, the royal art of Socrates��the mastery over men��s minds acquired by a close study of their interests, passions, and beliefs. But the ambition of the one defeated his own aim, to the destruction of his country and of himself; while the other drew into Athenian thought whatever of Western force and fervour was needed for the accomplishment of its205 imperial task. We may say of Plato what he has said of his own Theaet��tus, that ��he moves surely and smoothly and successfully in the path of knowledge and inquiry; always making progress like the noiseless flow of a river of oil��;131 but everywhere beside or beneath that placid lubricating flow we may trace the action of another current, where still sparkles, fresh and clear as at first, the fiery Sicilian wine.