TWO:It having come to his knowledge that a plot was preparing for another massacre in the prisons on pretence of conspiracy among the prisoners, whose names and lives were at the mercy of the spies within and the police and gaolers without, he contrived by paying a hundred louis to get his own and Mme. de Coignys liberation, and after the Terror was over they married and went to England for their honeymoon. At the end of two months they were tired of each other, came back to Paris and were divorced, and the Baronne de Montrond again resumed the name of Coigny.
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TWO:One day as they were looking out of a window into the courtyard which opened on to the road, they saw a man stagger in and fall down.She was so talked about with the Duc de Chartres that the Queen would not receive her at her balls, [119] for Marie Antoinette was trying to bring some reform into the licence prevalent at court, where there was no end to the scandalous incidents that kept happening.
FORE:Mme. Le Brun returned home, but dared not stay there, so she accepted the invitation of her brothers father-in-law, M. de Rivire, in whose house she thought she would be safe, as he was a foreign minister. She stayed there a fortnight, treated as if she were a daughter of the house, but she had resolved to get out of France before it was too late.
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FORE:It seems that galit is tired of the fish of Marseilles that Milon appreciated so much. He wants to come to Paris.
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FORE:Are you sure you have forgotten nothing? Have you got your diamonds?Never, he said, was the Queen more truly a Queen than to-day, when she made her entry with so calm and noble an air in the midst of those furies.
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FORE:A young musician, waiting at the Conciergerie for the gendarmes to take him to the tribunal which was his death sentence, remembering that a friend wanted a certain air, went back to his room, copied it, and took it to his friend, saying
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FORE:Ah! there you are, Isabey. You have brought me the designs I ordered?
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FORE:
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FORE:The last at which Mme. Le Brun was present was the Mariage de Figaro, played by the actors of the Comdie Fran?aise; but, as she observes in one of her letters, Beaumarchais [26] must have intolerably tormented M. de Vaudreuil to induce him to allow the production of a piece so improper in every respect. Dialogue, couplets, all were directed against the court, many belonging to which were present, besides the Comte dArtois himself. Everybody was uncomfortable and embarrassed except Beaumarchais [27] himself, who had no manners and [63] was beside himself with vanity and conceit, running and fussing to and fro, giving himself absurd airs, and when some one complained of the heat, breaking the windows with his stick instead of opening them.
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FORE:Plauzat was a stately and comfortable, besides being a picturesque abode, with its immense hall hung with crimson damask and family portraits, out of which opened Paulines great bedroom, the walls of which were covered with blue and white tapestry worked by M. de Montagus grandmother, Laure de Fitzjames, grand-daughter of James II. of England.
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FORE:One day the Baron de Talleyrand announced that [106] the Queen wished her to paint the portraits of her two eldest daughters, whose marriages she was just going to Vienna to arrange. [39]During the latter part of the reign of Louis XV. the rule of perpetual court dress at Marly was given up, and when Louis XVI. came to the throne he tried, but without success, to discourage the gambling, which he hated; but what Marie Antoinette disliked was the stiffness, fatigue, and restraint of these journeys, and she insisted that at Trianon, which the King had given her, she should be free from the [395] intolerable gne of the etiquette which the last two reigns had so increased as to be an intolerable burden, in former centuries unknown at the court of France.
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