FORE:The Marquis de Paroy, a royalist, whose father, a Girondist, had just been arrested, wrote to ask for an interview, sending an illustrated petition, in the taste of the day, to the goddess of Bordeaux, with a Cupid he called a sans-culotte, &c. Having received an invitation, he went to her house, where, in the ante-rooms, crowds were waiting with petitions in their hands. Presently folding doors were thrown open and Trzia appeared, exquisitely dressed, asked for the citoyen Paroy, and invited [312] him to come into her boudoir, which was filled with the traces of her pursuits. Music was upon the open piano, a guitar lay upon a sofa, a harp stood in a corner of the room, an easel, a half-sketched-out miniature, a table covered with drawings, colours, and brushes, an embroidery frame, a writing table piled with petitions, notes, and papers. After the first greeting she saidMme. de Tess, younger sister of the Duc dAyen, was well known for her opinions. La Fayette, de Noailles, and de Sgur had returned from America, and their ideas were shared by Rosalies husband, de Grammont, and to a certain extent, though with much more moderation, by M. de Montagu. All the remaining daughters of the Duc dAyen except Pauline shared the opinions of their husbands; M. de Thsan and M. de Beaune were opposed to them, as was also the Duchesse dAyen, whose affection for her sons-in-law did not make her share their blind enthusiasm and unfortunate credulity.
