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THREE:He looked directly at Arthur. "And dreaming," he added. "We dream, you know."In due time they entered the waters of the great river of Northern China, the Yang-tse. They entered them long before they sighted land, as the vast quantities of earth brought down by the stream make a change in the color of the sea that can be readily distinguished a great distance from the coast. In this respect the Yang-tse is similar to the Mississippi, and the effect of the former on the Yellow Sea is like that of the latter on the Gulf of Mexico. The coast at the mouth of the Yang-tse is low and flat, and a ship is fairly in the entrance of the river before land can be seen. The bar can be passed by deep-draught vessels only at high water, and consequently it often becomes necessary for them to wait several hours for the favorable moment. This was the case with our friends, and they walked the deck with impatience during the delay. But at last all was ready, and they steamed onward in triumph, dropping their tow at Woosung, and waving a good-bye to "the Mystery," who had recognized them from the deck of the disabled bark.

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THREE:"Yes," I guilefully replied, "I came with him."

TWO:But the authorities at the bank regarded them as grave defects in his character.

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FORE:

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FORE:

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FORE:

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FORE:

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FORE:COVER OF JAPANESE BOWL. COVER OF JAPANESE BOWL.

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FORE:

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TWO:To see the whole of Tokio is a matter of no small moment, as the area of the city is very great. There seems to have been no stint of ground when the place was laid out, and in riding through it you find whole fields and gardens so widely spread that you can readily imagine yourself to be in the rural districts, and are rather surprised when told that you are yet in the city limits. The city is divided into two unequal portions by the Sumida River, and over this river is the Nihon Bashi, or Nihon Bridge, which is often called the centre of Japan, for the reason that all the roads were formerly measured from it. It has the same relation to Japan as the famous "London Stone" has to England, or, rather, as the London Stone had a hundred years ago.

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THREE:"Go hon!" exclaimed Mrs. Flack, leaning her red folded arms upon the table, "well I never!"

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THREE:Alice��s banns had never been given out by anybody, and a physiognomist might hazard the conjecture that they never would be, for she had in her face, with its short-sighted eyes, high cheekbones, and mouth that looked as if it had got unbuttoned, that indescribable air of old-maidishness which fate sometimes imprints on the features of girls still scarcely of marriageable age. They do not, as Alice did not, seem to be of the types from which wives and mothers are developed. A celibacy, tortured it may be, seems the fate inexplicably destined for them by the irony of Nature who decreed that they should be women, and they discharge their hearts in peevishness or in feverish activities. Alice was inclined to the more amiable of these safety-valves, but she could be peevish too.

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THREE:"Now, Charlotte, my dear," began Miss Harper, "you are too terribly tired to--why, where is Charlotte; did she not come in with us from the--gate?""Then the real acting of the piece began, and I wished ever so much that it had been in English, so that I could understand it. The story was a supernatural one, and there were badgers and foxes in it, and they had a woman changed to a badger, and the badger to a woman again. Gentlemen who are familiar with Japanese theatres say there are many of these stories, like our Little Red Riding-hood, and other fairy tales, acted on the stage, and that the play we saw is one of the most popular, and is called 'Bumbuku Chagama,' or 'The Bubbling Teapot.' One gentleman has shown me a translation of it, and I will put it in here, just to show you what a Japanese fairy story is like.

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FORE:She looked up at him, and it was clear to each when their eyes met, that the same species of thought was in the mind of both: both at any rate were thinking of what had occurred yesterday. But immediately she looked away again, silently pondering something, and he, watching her, saw that soft frown like a vertical pencil-mark appear between her eyebrows. Then it cleared again, and she looked at him with a smile that conveyed her comprehension of the ��rubbishy reason,�� and a sudden flush that came over her face confirmed that to him. Naturally it was as awkward, even as impossible for her to speak of it, as it was for him; she could but consent to go or refuse to.It must remain for ever a question for curious speculation as to what action might have been taken by Doctor Allingham and Gregg in conjunction, had they been able to pursue their investigation of the Clockwork man upon a thorough-going scale; for while their discussions were taking place the subject of them escaped from his confinement in the coal cellar.

Friend

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FORE:Doctor Bronson arranged that the party should visit Wo-chang and see a famous pagoda that stood on the bank of the river. There was not a great deal to see after they got there, as the place was not in good repair, and contained very little in the way of statues and idols. The stairways were narrow and dark, and the climb to the top was not accomplished without difficulty. Afterwards they went through the principal streets, and visited the shops, which they found much like those of Shanghai and Chin-kiang. The people showed some curiosity in looking at the strangers��more than they had found farther down the river��for the reason, doubtless, that fewer foreigners go there.

Friends

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FORE:"The laborers who were to be taken to Cuba or Peru were received on board the ships, and counted as they came over the side, like so many boxes or bales of merchandise; in fact, they were nothing but merchandise, and the receipts were made out for a certain number of coolies without the least record of their names and residences. I was once in a ship that took a cargo of these people to Peru, and I don't believe that anybody on board felt otherwise than if he had been in the slave-trade. And we had a narrow escape from having our throats cut by our cargo and our bodies thrown into the sea."

Friend

TWO:"The term cloisonn�� comes from the French word cloison, which means a field or enclosure, and you will see as you go on how appropriate it is to this kind of work. If you examine the bowl which you will find in the box, you[Pg 244] will see that it has a groundwork of light blue, and that on this groundwork there are fine threads of brass enclosing little squares and other figures in colors quite different from the body of the bowl. If you look at the cover, you will find that these squares and figures are repeated, and also that there are three circles, like plates with serrated edges, that seem to be lying on the top of the cover. These plates, or circles, have pictures of flowers on them, and the designs of the flowers on each one are different from those of the other two. Every leaf and petal is distinct from the others by means of the brass wires, and the colors do not at any time run together.

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