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At Jhansi, by the station, were parties of famishing emigrants, all with the same dreadful white grimace and glazed eyes, and in the town more starving creatures dragging their suffering frames past the shopsalmost all closedor begging at the doors of the temples and mosques; and the few passers-by hurried on as if they, too, wanted to escape, overpowered by this scene of dread and horror.

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All round the Rajah's palace crowds a town of palaces, mosques, and temples dedicated to Vishnu; and outside the walls, on a plain lying between the hills of Amber, is another town, still thick with ruins amid the forest of encroaching trees. And it is all dead, deserted, dust-coloured, unspeakably sad, with the sadness of destruction and desertion in the midst of a landscape gorgeous with flowers and groves. In the palace of Amber, guides make a good[Pg 216] business of showing us the public rooms, baths, and bedrooms, all restored with an eye to the tourist. In the gardens, heavy with perfume, the trees display swinging balls of baked earth full of holes, which protect the ripening fruit from the monkeys; a whole tribe of them scampered off at our approach, and went to torment the peacocks that were solemnly promenading a path, and that presently flew away.Everything seems fused in a haze under the sun, as it grows hotter and hotter, and in that quivering atmosphere looks like a mass in which red and white predominate, with the persistent harmony of motion of the swaying, barefooted crowd. Email : support@yourdomain.com  |  Download Software / App  |  Call : +61-123-456-789
ONE:In the heart of Girgaum, one of the suburbs of Bombay, at the end of a street, under a large areca palm an old man was selling grain and rice in open baskets. A whole flight of bickering sparrows settled on his merchandise, and he looked at them with happy good humour without scaring them away.
TWO:Wherever the alleys cross in the bazaar, open cages are placed on pillars of carved marble or wood, and in these, charitable hands place grain for the birds; thus every evening, round these shelters there is a perpetual flutter of pigeons, minahs, and sparrows, pushing for places, and finally packed closely together, while the little lanterns flash out on all sides, giving a magical aspect to the shopfronts, turning copper to gold, fruit to flowers, and falling like a caress on the wayfarers in thin pale-hued robes.On reaching the temple of Vishnu, on the very threshold, we met an elephant marching in front of the Brahmin priests, who were carrying water in copper amphor? to bathe the idols withal. Musicians followed the elephant, playing on bagpipes, on a kind of little trumpet, very short and shrill-toned, and on drums; and the beast, with its trunk swaying to right and left, begged a gift for the expenses of the temple.

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THREE:A man in the fort always struck out the hours on a gong, very slowly, in the heat of the day. Twelve at noon was interminableone, two, three were so feeble as to be scarcely audible. And then when it was cooler and the tom-toms could be heard in the distance, the strokes had a queer dislocated rhythm, and sometimes even a stroke too many, smothered in a hurried roll.
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ONE:The fort of Allahabad, the fort of the mutiny of 1857, is a complete citadel where, in the thickness of the walls, behind screens of acacia trees, lurk doors into palaces. Among the gardens there are clearings full of guns and ambulance waggons, and enormous barracks and huts for native soldiers. Then on the ponderous stonework of the ramparts rise little kiosks in the light Hindoo-Mussulman style, elaborate and slender, built by Akbar the [Pg 183]conqueror, who took Prayag and razed it, to build on the site a city dedicated to Allah. And now modern architecture is slowly invading it, adding to the flat walls which hide under their monotony the gems of stonework with their elegant decoration.
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THREE:A regiment of artillery was marching into quarters. The Highlanders' band came out to meet them: four bagpipes, two side drums, and one big drum. They repeat the same short strain, simple enough, again and again; in Europe I should, perhaps, think it trivial, almost irritating, but here, filling me as it does with reminiscences of Brittany, especially after the persistent horror of tom-toms and shrill pipes, it strikes me as delightfulI even follow the soldiers to their quarters.

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THREE:A stone parapet runs along the river road, and below it the grassy bank slopes gently to the clear and limpid stream of the Ganges. On the shores[Pg 141] of the sacred river fine trees overshadow many idols, and fresh flowers are constantly laid at their feet.A native judge is sitting cross-legged on a little mat in his house. A petitioner appears of the lowest caste, a Sudra. The judge, quite motionless, watches the man unfasten his sandals, rush up to him, and with a profound bow touch his feet in sign of submission. For a man of higher caste, a Vaysiya, the ceremonial is the same, only instead of running forward the visitor walks up to the judge and merely pretends to touch his slippers. Then comes a kshatriya advancing very slowly; the judge rises to meet him half-way, and they both bow.

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THREE:The noise in the dock is maddening. The Customs, the police, the health-officers, all mob the voyager with undreamed-of formalities, such as a paper to be signed declaring that he has but one watch and one scarf-pin, and that their value is in proportion to the wearer's fortune. Then, again, the dispersal of the luggage, which must be fished out at another spot amid the yelling horde of coolies who rush at[Pg 4] the trunks and use the portmanteaus as missiles, till at last we are in the street.

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Really the prison this time! in the midst of a large enclosure with high walls; a building on a star-shaped plan, with large windows to admit air and daylight. The prisoners, in a white uniform, with chains on their feet, were manufacturing various articles in basket-work, and in a shed with a cotton awning a hundred or so of convicts were weaving carpets. The brilliancy of colour was indescribable; the vividness of the medley of worsted piled by the side of the gorgeous looms, the light hues of the dresses, the faded turbans touched with light, the glitter of the steel chains, the bronze skins, glorified to gold in the quivering sunshine, which, scarcely subdued by the awning, bathed the[Pg 87] scene in a glow so intense that it seemed to proceed from the objects themselves. Behind each loom sat a warder, with the pattern of the carpet on his knees, dictating the colours to the weavers, chanting out his weariful litany of numbers and shades in a monotonous voice.Inside, a subdued light, rosy and golden, comes in through the myriad interstices, casting a glow of colour on the pierced marble screens which enclose the tomb of Shah Alam, Sultan of Gujerat. The tomb itself, hung with a red cloth under a canopy on posts inlaid with mother-of-pearl, is dimly seen in the twilight, scarcely touched here and there with the pearly gleam and lights reflected from ostrich eggs and glass ballstoys dedicated by the faithful to the hero who lies there in his last sleep. Yet further away, under the trees, is another tomb, almost the same, but less ornamented, where the sultan's wives repose.In order that I might be far from the noise of the street the merchant had the objects I wished to see brought to me in a little room over the shop. Everything was spread before me on a white sheet, in the middle of which I sat. Refreshments were[Pg 227] brought, fruits and sweetmeats, while a coolie waved a large fan over my heada huge palm-leaf stitched with bright-hued silks.Close to the monumental trophy of Khoutab is a temple with columns innumerable, and all different, overloaded with carvings incised and in relief, with large capitals; beams meet and cross under the roof, also carved in the ponderous stone, and the whole forms a cloister round a court; while in the centre, amid Moslem tombs, an iron pillar stands, eight metres high, a pillar of which there are seven metres sunk in the grounda colossal casting placed here in 317, when half the civilized world was as yet ignorant of the art of working in metal. An inscription records that "King Dhava, a worshipper of Vishnu, set up this pillar to commemorate his victory over the Belikas of Sindhu."
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