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She declared that she would have resigned before had it not been for the calumnies, injustice, and persecution (!) carried on against the Duc dOrlans; she hoped his return would dispel the clouds; she pictured the grief her pupils would feel, &c., &c.

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The Comtes de Provence and dArtois were married to the two daughters of the King of Sardinia, to whose eldest son the Princess Clotilde was betrothed.
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ONE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

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TWO:Young and unknown, he had been present with Bourrienne on the 20th June, and seen the raving, frantic mob rushing upon the Tuileries. He followed with Bourrienne in a transport of indignation, and saw with contempt Louis XVI. at the window with a red cap on. He exclaimed

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TWO:

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TWO:Mme. de Clermont had been married at fifteen to the Comte de Choisi, who was much older than herself, and of whom she was dreadfully afraid; but he was killed at the battle of Minden, and she had just married the Comte de Clermont, who was deeply in love with her. She was young, pretty, very capricious, and a friend of Mme. de Montesson, and with all her faults never dull or tiresome, but full of merry talk and amusing stories; the Comtesse de Polignac and the Marquise de Barbantour were also among the ladies of the household [387] with whom Flicit was now associated; two much older ones were the Comtesses de Rochambault and de Montauban.

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TWO:The Princess remarking on this extravagance, he said in a low voice

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TWO:The high rank, great connections, and splendid fortunes of the daughters of the Duc dAyen caused them to be much sought after, and many brilliant marriages were suggested for Pauline, amongst which they chose a young officer of the regiment of Artois, proposed to them by a relation of his, the Princesse de Chimay, daughter of the Duc de Fitzjames. The young Marquis Joachim de Montagu was then nineteen, had served in the army of Spain, and belonged to one of the most ancient families of Auvergne.
FORE:She wrote pages and pages to the Duchess, who would not answer the letters except by a few short lines, and refused to enter into the matter at all, but declined to receive Mme. de Genlis at the Palais Royal to dine as usual. Here is an example of what the Duchesse dAbrants and others have said about Mme. de Genlis having nothing of the dignity that she might have been expected to possess. Her behaviour contrasts strongly with that of the Duchesse dOrlans, who, however foolish and credulous she may have been, showed at any rate [422] that she was a Princess of France. It was not for her to discuss or dispute with Mme. de Genlis about her influence with her husband and children; it was for her to give orders and for the governess of her children to obey them. But these late proceedings were different and tangible, and Mme. de Genlis herself owns in her Mmoires, written long after, that the objections of the Duchess, which she then thought so exaggerated and unjust, were right and well-founded. She declares that she had no idea how far the Revolution would go, that she was strongly attached to the Monarchy and to religion, which latter was certainly true, and there is no reason to suppose she contemplated a Republic, while the horrors that took place were odious to her.Mme. de Montesson was arrested ... in virtue of a decree of the Convention of 4 April, 1793, ... and on the 17th ... was taken to the prison of La Force, from there she was transferred to the Maison darrt Dudreneux, opposite her own h?tel. From the windows of her new prison she had the consolation, if it was one, of contemplating her own garden, into which she could no longer put her foot. She had another, less bitter, her premire femme de chambre would not be separated from her, but followed her to prison, and in spite of many obstacles rendered her many services.... This admirable, devoted woman (Mme. Naudet) had left her children to follow her mistress to prison.

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FORE:One of her first portraits was that of the Polish Countess Potocka who came with the Count, and directly he had gone away said to Mme. Le Brun: That is my third husband, but I think I am going to take the first back again; he suits me better, though he is a drunkard.Lisette frequented chiefly the society of the Spanish Ambassadress, with whom she went to the Opera at the far-famed Fenice, and finally left Venice and went by Padova, Vicenza, and Verona to Turin, where she had letters of introduction from Mesdames to the Queen, whose portrait they wished her to paint for them.

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FORE:One or two of the gentlemen-in-waiting were found stealing the valuable porcelaines de Svres in the ante-rooms, to the great anger of the King.Pauline, who was very delicate, never took proper care of herself, and was always having dreadful trials, began by being very ill. When she was better they established themselves in a pretty cottage by the Thames at Richmond. But in a short time her husband, who hated emigrating, heard that the property of emigrants was being sequestrated, and in spite of his wifes remonstrances, insisted on returning to France, hoping to save his fortune; [228] and begging his wife to be prepared to rejoin him there if he should send for her when she had regained her strength.

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FORE:By their affectionate and devoted love the rest of her life was made happy, even after the far greater loss in 1820 of the brother to whom she had always been deeply attached.

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FORE:He carried on an open liaison with the Countess Woronsoff, while Catherine, who regarded him with dislike and repugnance, consoled herself with Prince Soltikoff, the hero of Russia from his victory over Frederic the Great, King of Prussia, and then with Prince Stanislas Poniatowski.

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FORE:The next day, just as she was starting for the Vatican Museum, the students of the Academy came to visit her, bringing her the palette of Drouais, a talented young painter whom she had known in Paris, and who had lately died. He had dined with her the evening before he started for Rome, and she was much touched at the recollection of him and at the request of the lads that she would give them some old brushes she had used.

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TWO:Many heroic people, women especially, managed to get stolen interviews with those belonging to them shut up in the different prisons. Mme. de Beuguot used to visit her husband disguised as a washer-woman, and through her devotion, courage, and good management he was ultimately saved. Some [330] bribed or persuaded the more humane gaolers, and one man was visited through all his imprisonment by his two little children who came with no other guardian than their large dog. The faithful creature brought them safe there and back every day, watching carefully that they were not run over.M. de Beaune was cheerful enough when the day was fine, as he spent his time in visiting them; but when it rained he stayed at home fretting, grumbling, and adding unintentionally to the troubles of those he loved. He took to reading romances aloud to Pauline, who could not bear them, partly, perhaps, from over-strictness, but probably more because in those days, before Sir Walter Scott had elevated and changed the tone of fiction, novels were really as a rule coarse, immoral, [236] and, with few exceptions, tabooed by persons of very correct notions. However, she knew M. de Beaune must be amused, so she made no objection.

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THREE:For she adored her grandchildren, whom she kept entirely under her own control, allowing their parents to have no voice in their education, which she certainly directed with great care and wisdom.

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THREE:The Noailles, unlike most of the great French families, although they lived in Paris during the winter, spent a portion of their time on their estates, looked after their people, and occupied themselves with charities and devotion. The Marchal de Mouchy de Noailles, brother of the Duc dAyen, even worked with his own hands amongst his peasants, while his wife and daughter, Mme. de Duras, shared his views and the life he led, as did his sons, the Prince de Poix and the Vicomte de Noailles, of whom more will be said later.

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THREE:Early in 1789 she was dining at La Malmaison, which then belonged to the Comte de Moley, a rabid Radical; he and the Abb de Sieys and several others were present, and so fierce and violent was their talk that even the Abb de Sieys said after dinner

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THREE:She spoke in the inflated style of the time, which belonged especially to the ranting, extravagant, theatrical phraseology of that strange collection of individuals who now held supreme power in the country so recently the most civilised and polished in the world.Brilliante sur ma tige, et honneur du jardin,
TWO:At the beginning of August, Pauline, after making up the accounts, told her father-in-law that she had enough money left only to carry on the household for three months longer, but that if they returned to Brussels it would last twice as long, for they could live there much better at half the cost.She still lived in the rue de Clry, where M. Le Brun had a large, richly furnished apartment, but as he used nearly the whole of it as a picture gallery, his wife had only two simply furnished rooms for herself, which, however, on her at-home nights [51] were thronged with everybody of any distinction, either at court or in the town, in fact, so great was the crowd that people were to be seen sitting on the floor, from which, on one occasion, the Marchal de Noailles, being very old and fat, could hardly be got up again.

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In Mme. de Genlis we have a fourth and more complex type, a character in which good and evil were so mingled that it was often hard to say which predominated. With less beauty than the other three but singularly attractive, with extraordinary gifts and talents, with noble blood and scarcely any fortune, she spent a childhood of comparative poverty at her fathers chateau, where she was only half educated, and at seventeen married the young Comte de Genlis, who had no money but was related to most of the great families of the kingdom.After expressing her satisfaction, the Empress saidIt had great success at the Salon, was engraved by Müller, and was one of those amongst her works which decided Joseph Vernet, shortly after her return, to propose her as a member of the Royal Academy of Painting. She was duly elected, in spite of the opposition of M. Pierre, who was painter to the King, and a very bad painter too.Accustomed all her life to be surrounded by friends, to be made much of and allowed to do as she liked wherever she went, she had followed her own fashion of wearing a certain style of dress, artistic, characteristic, but inexpensive. Nobody had objected to the simple toilettes of soft muslin, gracefully arranged, nor to the scarves and handkerchiefs she twisted in her hair. But she became suddenly conscious that they were by no means suitable to appear before the formidable personage, whom she pictured to herself as tall, dark, gloomy, and terrible, moreover the Countess Esterhazy looked at her in astonishment, and with much hesitation said
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