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ONE:Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.But T��r��zia had nearly lost all hope. She had waited and waited, always expecting help��for Tallien was powerful among the leaders of the government. But when she was taken from the Carmes back to La Force, she knew that her time had come, and now the gaoler had told her that it [332] was not worth while to make her bed, as it was to be given to another. ONE:When she was about twelve years old she left Burgundy with her mother and Mlle. de Mars. They travelled partly by boat on the Loire, partly with their own carriage and horses, to Paris, where they established themselves, and where F��licit�� pursued her musical studies with increased ardour. She must have been a precocious young person, for when she was eleven years old the son of the neighbouring doctor fell in love with her, managed to give her a note, which she showed to Mlle. Mars, and meeting with indignant discouragement, he ran away for three years, after which he came home and married somebody else.

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