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She was conscious also that her own position was not safe. She had many friends amongst the Girondins, and now terrified at their fall she felt that she was compromised by her association with [300] them; her husband was an additional peril to her, for the new abomination called loi contre des suspects was aimed at those against whom no tangible thing could be brought forward, but who might be accused of having done nothing for the Republic and would certainly apply to him. M. de Fontenay had hidden himself for a time and then re-appeared, and seeing they were both in great danger she agreed to his proposal and they went first to Bordeaux, intending shortly to put the Pyrenees between themselves and the Revolution. But swiftly and suddenly the danger that had struck down so many of their acquaintances fell like a thunderbolt upon them.
ONE:In education, principles, conduct, and nationality, they were absolutely different, but each of them was typical of the time, the class, and the party to which she belonged.In her Memoirs, Mme. de Genlis says that the years she spent at the Palais Royal were the most brilliant and the most unhappy of her life.
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FORE:In Mme. Le Brun, the most gifted of all, we see a beauty, a genius, and a woman unusually charming and attractive, thrown, before she was sixteen, into the society of the magnificent, licentious court of Louis XV. Married to a dissipated, bourgeois spendthrift, for whom she had never cared; sought after, flattered, and worshipped in all the great courts of Europe; courted by fascinating, unscrupulous men of the highest rank, without the protection of family connections and an assured [viii] position; yet her religious principles, exalted character, and passionate devotion to her art, carried her unscathed and honoured through a life of extraordinary dangers and temptations.
The last at which Mme. Le Brun was present was the Mariage de Figaro, played by the actors of the Comdie Fran?aise; but, as she observes in one of her letters, Beaumarchais [26] must have intolerably tormented M. de Vaudreuil to induce him to allow the production of a piece so improper in every respect. Dialogue, couplets, all were directed against the court, many belonging to which were present, besides the Comte dArtois himself. Everybody was uncomfortable and embarrassed except Beaumarchais [27] himself, who had no manners and [63] was beside himself with vanity and conceit, running and fussing to and fro, giving himself absurd airs, and when some one complained of the heat, breaking the windows with his stick instead of opening them.CHAPTER IDe Pierre, de Pierre, de Pierre.At the time of the marriage of the young M. and Mme. dAyen, the Princesse Adla?de had to some extent, though never entirely, succeeded the Princesse Henriette in the Kings affection, and was now supposed to be his favourite daughter. She had, however, none of her elder sisters charm, gentleness, or beauty; being rather plain, with a voice like that of a man. She had a strong, decided character, and more brains than her younger sisters, Victoire, Sophie, and Louise; she was fond of study, especially of music, Italian, and mathematics.
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