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ONE:��I will take it for three months, here is the rent in advance and a louis besides. Keep the key. I will come in this evening. If any friends arrive before, take them there and ask them to wait till I come.�� TWO:Severe as was her loss to Pauline a more terrible calamity happened to her in 1824, in the death of her only son Attale, who was killed by an accident when out shooting, leaving a young wife and children to her care.Neither Napoleon nor any of his family had at all the manners and customs suitable to the position in which he had placed them, and he was quite aware of the fact. His mother, as he said, could speak neither French nor Italian properly, but only a kind of Corsican patois, which he was ashamed to hear. He did everything he could to win over the emigr��s and those of the old noblesse who had remained [460] in France; his great wish was to mingle the new noblesse he soon began to create with the faubourg St. Germain, and his great disappointment and anger was excited by the non-success of his attempts. From the time he rose to supreme power he contemplated a court and a noblesse for the country and a crown for himself. And that a court formed out of the materials supplied by his generals and their families would be ridiculous he knew, and meant to avoid.THREE:The hardships and horrors of these prisons, though always terrible, were much worse in some than in others. Far the best were the Luxembourg, Portroyal, then called Port Libre, the convents of the B��n��dictins anglais, the convents des Oiseaux and des Anglaises, and one or two others, which, in the slang of the day, were called prisons muscadines. [103] There were congregated most of the prisoners of rank and refinement, although in most of the prisons there was a mixture of classes and opinions. There the food and accommodation was much better and the officials more civil, or rather, less brutal, and for a long time the prisoners were allowed to go into the gardens, orchards, avenues, and courts belonging to them, also to amuse themselves together until a certain hour of the night.Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or f��te. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.