ONE:Trzia became a power in Bordeaux. She appeared everywhere in public wearing those scanty Greek draperies so well calculated to display the perfection of her beauty; affecting the attitude of the Goddess of Liberty, with a pike in one hand and the other resting upon the shoulder of Tallien. [309] The populace cheered as she drove about Bordeaux in a magnificent carriage which, had it belonged to a royalist, would have excited their rage. She harangued the Convention with bombastic speeches about women and virtue and modesty, which, to persons not besotted with frantic republicanism, must appear singularly out of place; mingling her exhortations with flattery so fulsome and preposterous that she did not fail to command sympathetic acclamations, especially when she said that she was not twenty years old and that she was a mother but no longer a wife.M. de Montagu returns to ParisM. de BeauneRichmondDeath of NomiAix-la-ChapelleEscape of the Duc dAyen and Vicomte de NoaillesLa Fayette arrested in AustriaThe HagueCrossing the MeuseMargateRichmondHardships of povertyBrusselsLetter from Mme. de TessJoins her in SwitzerlandMurder of M. and Mme. de MouchyGoes to meet the Duc dAyenHe tells her of the murder of her grandmother, Mme. de Noailles, her mother, the Duchesse dAyen, and her eldest sister, the Vicomtesse de NoaillesMme. de la Fayette still in prison.
TWO:Accordingly he pretended to be mad, and wandered all day about the streets of Paris, wearing an old Court dress and an enormous wig, talking extravagantly, making foolish jokes, but all the time looking for the Chevalier .
FORE:Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.She emigrated early, and far from being, as in most cases, a time of poverty and hardship, her exile was one long, triumphant career of prosperity.
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