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ONE:The Viharas, monasteries of cells hollowed out in the hillside, extend for more than half a mile; briars and creepers screen the entrances leading to these little retreats, a tangle of flowers and carvings.

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ONE:

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ONE:CALCUTTA

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ONE:There is a very small and simple niche against the wall of a larger building, and in this, without even a railing to protect it, stands the image of a goddess robed in silk embroidered in gold; and in[Pg 78] such another little recess, not far away, is the sister of this divinity, also dressed in magnificent stuffs, renewed by the faithful at each high festival.Under a loggia, flowery with mosaics of jasper and carnelian, the emperor, seated on a white marble throne embroidered with carving, administered justice. At his feet, on a raised stone flag, the divan, his prime minister took down the despot's words, to transmit them to the people who were kept at a respectful distance under a colonnade, forming a verandah round the imperial palace.

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THREE:The carriage of the Rajah of Palitana awaited us this morning at Songad. As an escort two sowars in long blue cloaks and red turbans, their guns slung behind them, galloped by our vehicle. On each side of the road lay fields of scorched grass, quite burnt and very fine, glistening like silk, reflecting the sun as far as we could see.

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THREE:From the summit we looked down over a panorama of the town, set out in square blocks sunk in the verdure of palms, bamboos, and banyans. At our feet was the cupola of the temple of Siva, all gold, and covered with bosses, the edges of the mouldings catching the sun. Besides this a number of coloured domes, painted in pale shades faded by the sunshine, descended the almost perpendicular incline down to the bazaar, where the throng was beginning to stir like white ants, of slow gait and deliberate gestures, their light-hued dhoutis flitting about the stalls for drink and fruit. Far away, beyond the bright green rice-fields, and against the horizon of intensely blue hills, the rocks stand out��French rocks and Golden rocks��where the treasure of the conquered natives was distributed to English soldiers. It might almost be fancied that a glow of metal still shines on the smooth stone, a warm, yellow stone bathed in sunshine.

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THREE:And then night, the real night, transparently blue and luminous with stars, appeared above the last cloud that vanished with the last clap of thunder. Unspeakable freshness and peace reigned over nature, and in the limpid air the mountain-chains, the giant Himalayas, extended to infinity in tones of amethyst and sapphire. Nearer to us, lights sparkled out in the innumerable huts built even to the verge of the eternal snows, on every spot of arable ground or half-starved grass land.At our feet were the two walls, the outer wall enclosing the palace, the gardens, the arena, where fights were given between elephants and tigers; the inner wall, ten metres high, built round the zenana��the women's palace��of which even the foundations have almost disappeared under the overwhelming vegetation.

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THREE:A large open niche, supported on massive columns and enclosed by a carved parapet, built by some king with a long, high-sounding name, looks as if it were made of gold; the stone is yellow and flooded with sunshine, which, where the hard material is not too thick, shines through and makes it seem transparent, with the peculiar vibrant glow of molten metal. The shadows, blue by contrast, are as soft as velvet; twinkling sparks are lighted up in the angles of the architrave, by the reflected rays, like stars in the stone itself.

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ONE:Beyond these ruins, at the end of a long avenue bordered with tamarind trees, beyond an artificial lake, is the tomb of Shah Alam. A wide marble court; to the right a mosque with three ranks of columns; above, a massive roof crowned with a[Pg 56] bulbous dome, flanked by fragile minarets. The fountain for ablutions in the midst of the court is surmounted by a marble slab supported on slender columns. To the left, under the shade of a large tree, is the mausoleum of marble, yellow with age, looking like amber, the panels pierced with patterns of freer design than goldsmith's work."What a pity that the sahib does not like music!"

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THREE:Toglackabad, again an ancient Delhi, a rock on the bank of the Jumna after crossing a white desert; walls of granite, massive bastions, battlemented towers of a Saracen stamp, rough-hewn, devoid of ornament, and uniform in colour��bluish with light patches of lichen. The enclosure has crumbled into ruin, in places making breaches in the walls, which nevertheless preserve the forbidding aspect of an impregnable citadel.

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ONE:In the town is the tomb of the Ranee Sipri: walls of lace, balconies of brocade carved in stone. Opposite this mausoleum are an open mosque and two minarets as slim as sapling pines, wrought with arabesques as fine as carved ivory. There are lamps carved in relief on the walls, each hung by chains under-cut in stone with Chinese elaboration; and this lamp is everywhere repeated��on the mosque, on the tomb, and on the base of the minarets. The building, which has the faintly russet tone of old parchment, when seen in the glow of sunset takes a hue of ruby gold that is almost diaphanous, as filmy as embroidered gauze.

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THREE: