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FORE:271But his left hand hung misshapen, and Cairness saw that it did not bend at the wrist as he motioned to an empty soda-pop bottle and a glass on the table beside a saucer of fly-paper and water. "That's what I still take, you see," he said, "but I'll serve you better;" and he opened a drawer and brought out a big flask. "I reckon you've got a thirst on you this hot weather." He treated himself to a second bottle of the pop, and[Pg 168] grew loquacious, as another man might have under the influence of stronger drink; and he talked so much about himself and so little about his guest that Cairness wondered. Presently the reason made itself manifest. It was the egotism of the lover. The Reverend Taylor was going to be married. He told Cairness so with an expression of beatitude that answered to a blush, and pointed to a photograph on his mantel-shelf. "She ain't so pretty to look at," he confided, which was undoubtedly true, "nor yet so young. But I ain't neither, 'sfar as that goes. She's amiable. That's the great thing after all, for a wife. She's amiable."

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FORE:"Yes," she said, "I heard it. But I was not frightened. What was it?" He did not know, he said, and she sent him back to the barracks.

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FORE:On the 30th of March the British cast anchor before Copenhagen, between it and the island of Huen. On reconnoitring, the defences of the place were found to be very formidable. Nelson was appointed to make the attack with twelve line-of-battle ships, and some smaller craft. He had asked for ten. The next morning��the 2nd of April��the wind was favourable, and Nelson weighed and drew nearer to the town��Sir Hyde Parker on the outside threatening the batteries and vessels at the mouth of the harbour. At ten o'clock the firing commenced, and at eleven it was general. Three of the British vessels��the Agamemnon, the Bellona, and the Russell��stuck fast on the shoal. For three hours the battle raged fiercely, for the Danes fought with their well-known valour. It was necessary for Nelson to silence or destroy the floating batteries and gunboats before he could come at the ships of the line and the great land batteries. He had ordered five hundred seamen, under the Hon. Colonel Stuart and Captain Freemantle to storm the Kroner Battery as soon as it was silenced; but at this moment Sir Hyde Parker, seeing the signals of distress flying at the mast-heads of the three vessels aground, and that three others, which he had sent forward as a reinforcement, were making but slow way to the front, signalled for the fleet to draw off, and cease the engagement. But Nelson took no notice of the signal: he continued to walk the deck, and asked if his signal for close action was still hoisted, and, being told it was, said:��"Mind you keep it so." About half-past one o'clock the fire of the Danes slackened, and by two it had nearly ceased. But the vessels that had struck their flags recommenced firing on our boats sent to take possession of them, and the fire of the batteries on land and on Amager Island struck these surrendered vessels on one side, and that of our ships on the other. To prevent the destruction of the unhappy Danes placed in this fatal situation, Nelson sent on shore[482] Sir Frederick Thesiger with a flag of truce, and a letter to the Crown Prince, entreating him to put an end to a contest that was uselessly wasting the lives of the brave Danes. Within half an hour after Thesiger's departure, the firing from the Kroner Battery ceased, and Adjutant-General Lindholm came on board to learn the precise object of Nelson's note. Nelson replied that his object was humanity. He demanded that the action should cease, and that the wounded Danes should be taken on shore; that then he would burn or carry away the surrendered vessels, as he should think fit. It was agreed that the combat should cease for twenty-four hours, during which negotiations should be entered into. After five days' arduous discussion, an armistice was concluded for fourteen weeks, during which the treaty of armed neutrality with Russia was to be suspended. Nelson was to have full liberty to purchase any necessaries for his fleet, in Copenhagen or along the coast, and in case of renewal of hostilities all the Danish prisoners were to be again surrendered.Henry Purcell (b. 1658; d. 1695) produced the bulk of his works in William's reign. He composed the music to "The Tempest," "Dioclesian," "King Arthur," "Don Quixote," "Bonduca," and "Orpheus Britannicus." Many parts of these, and his sonatas, anthems, catches, rounds, glees, etc., are as much enjoyed now as in his own day. The music to Davenant's "Circe," by Banister, of Shadwell's "Psyche," by Lock, and of Dryden's "Albion and Albanius," by Grabut, had increased in England the liking for the lyrical drama; but Purcell's compositions wonderfully strengthened it, and from "King Arthur" may properly be dated the introduction of the English opera. Gay's "Beggar's Opera," six-and-thirty years after, however, was the first complete and avowed opera, and this did not establish that kind of entertainment in England. The wonderful success of this production, which was performed for sixty-two nights (not consecutive), was chiefly derived from the wit and satire of the composition itself, the abundance of popular airs introduced, and the party feeling which it gratified. The airs were selected and adapted by Dr. Pepusch, a German, who settled in London, and became celebrated there. He also furnished the overture, and wrote accompaniments to the airs. Eleven years after, Milton's "Comus" was adapted to the stage by the Rev. Dr. Dalton, with music by Dr. Arne, who afterwards composed the music for "Artaxerxes," and thence derived a high reputation.