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The guardian fakirs who watch the sacred flag sat under a tree in front of the temple. One of these, quite young, was beautiful beyond words. He had taken a vow always to stand. Leaning on a long pole he rocked himself without ceasing; for an instant he allowed his rapt eyes to rest on the bystanders, and then looked up again at the plume of white horse-hair that crowns the flagstaff. His legs were rather wide apart and evidently stiff; he walked without bending his knees, and then as soon as he stood still he rested his chin on his long cane, and swayed his body as before.
ONE:At the first ray of sunrise I went down to the temples, hewn out of the side of the hill and extending for above a mile and a quarter. Gigantic stairs are cut in the rock, and lead to caves enshrining immense altars, on which Buddha or other idols of enormous size are enthroned. Hall after hall is upheld by carved pillars. Bas-reliefs on the walls represent the beatitudes of Krishna surrounded by women, or the vengeance of Vishnu the terrible, or the marriage of Siva and Parvati; while on the flat roof, on the panels and architravesall part of the solid rockthere is an endless procession of Krishnas and Vishnus, on a rather smaller scale, producing utter weariness of their unvaried attitudes and beatific or infuriated grimacing. ONE:Amid the cool rush of a myriad streams is a garden, the loveliest in the world; the broad paths are shaded by cedars, banyans, palms, and crotons with purple and orange leaves. Under the garlands of gorgeous flowered climbers are hedges of roses of every shade, and shrubs starred with lavender and blue. In the ditches, above the water-plants strewn with petals like hoar-frost, grows a carpet of pale lilac cineraria.

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FORE:In the evening, in the open street, we came upon a circle of bystanders all beating time, while in the midst four little girls were dancing, wearing the sarong, but naked to the waist. They leaned very much over to the right, resting the right elbow on the groin, clapping the right hand with the left, and throwing back the left leg. All four did the same, round and round, and this went on again and again without a pause, under the pale light of the stars filtering through an enormous banyan tree. Occasionally a woman among the crowd would give a slow, long-drawn cry, and the dancers answered in very short notes, piercingly shrill.In front of a statue of Kali with a hundred arms, surrounded by rough votive offerings carved in wood, most of them representing legs, a man was pouring out rice, and a whole flight of grey leilasbirds like magpiesalmost settled on his hands: birds of the temple, so familiar that one even allowed me to catch it, and did not fly away at once when I set it at liberty. There are rows of black Buddhas, white Buddhas, Sivas painted redterriblestraddling in fighting attitudes; pilgrims without end bow and pray in front of each idol.
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FORE:The old king is at once cured; he embraces his sons again and again. After this emotion the first thing he remarks is the new palace that has sprung from the ground exactly opposite his own.Outside the palace is a large garden, devoid of shade, with pools of water bowered in flowers and shrubs that shelter myriads of singing birds. At the end of the park is a tank full of crocodiles. A keeper called the brutes, and they came up facing us in a row, their jaws open to catch the food which the Rajah amuses himself by throwing to them.
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FORE:All alike were fevered from the deafening music of harmoniums and tom-toms performing at the back of each gambling-bootha din that drowned shouts of glee and quarrelling.All round the post-office there is invariably a crowd of natives scribbling in pencil on post-cards held in their left hands. Their correspondence is lengthy, minute, and interminable; in spite of their concentration and look of reflection I could never bring myself to take them seriously, or feel that they were fully responsible for their thoughts and actsmachines only, wound up by school teaching, some going out of order and relapsing into savages and brutes.
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A humble poet, more venerated than the kings whose superb mausoleums are crumbling to dust in subjugated India, who, though she forgets her past, is still true to her dreams.Tazulmulook finds Bakaoli asleep in her garden, and after plucking the miraculous flower he exchanges the ring for that of the princess and departs. Bakaoli awakes, and discovering the theft of the flower and of her ring is much disturbed, and gives orders that the thief is to be caught.Servants carrying large trays offer the company certain strange little green parcels: a betel-leaf screwed into a cone and fastened with a clove, containing a mixture of spices and lime, to be chewed after dinner to digest the mass of food you may see spread out in the tables in the dining-room.All about the town of pink plaster, in the dust of the roads and fields, are an endless number of dead templestemples of every size and of every period; and all deserted, all empty; even those that are uninjured look like ruins.Past the buildings, and palaces with gardens enclosed behind pierced stonework, and then across fresh green fields full of flowers, under the shade of banyans and palm trees, we reached the temple of the monkeys. This temple, dedicated to the fierce and bloodthirsty goddess Durga, is painted all over of a vivid red colour, blazing in the sunshine with intolerable brightness. Inside the sanctuary a black image of the goddess may be seen, mounted on her lion, and flowers are arranged about her in radiating lines mingled with gold thread, and producing very much the effect of a theatrical sun. In the [Pg 162]forecourt, on the carvings and the roof of the temple monkeys swarm, rushing after each other, fighting for the grains of maize that are thrown to them, and tormenting the wretched mangy dogs that seek refuge in the temple precincts, where they, too, are kept alive by the faithful.
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