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Flicit recovered, and went to Spa, and to travel in Belgium. After her return, as she was walking one day in the Palais Royal gardens, she met a young girl with a woman of seven or eight and thirty, who stopped and gazed at her with an earnest look. Suddenly she exclaimed
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The Marquis de Paroy, a royalist, whose father, a Girondist, had just been arrested, wrote to ask for an interview, sending an illustrated petition, in the taste of the day, to the goddess of Bordeaux, with a Cupid he called a sans-culotte, &c. Having received an invitation, he went to her house, where, in the ante-rooms, crowds were waiting with petitions in their hands. Presently folding doors were thrown open and Trzia appeared, exquisitely dressed, asked for the citoyen Paroy, and invited [312] him to come into her boudoir, which was filled with the traces of her pursuits. Music was upon the open piano, a guitar lay upon a sofa, a harp stood in a corner of the room, an easel, a half-sketched-out miniature, a table covered with drawings, colours, and brushes, an embroidery frame, a writing table piled with petitions, notes, and papers. After the first greeting she saidHe was not, however, to live to see the realisation of his fears. Not much more than a year after Lisettes return from her convent, a terrible calamity befell her in the loss of the father whose love and protection had made the sunshine of her life, and by whose death her lot was entirely changed and her happiness ruined.The days were rapidly approaching when she would be thankful that an early death had saved him from the fate of his brother.Lisette painted the two Princesses and the Prince Royal before returning to Rome, where she had no sooner arrived than she had to go back to Naples to paint the Queen.
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