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FORE:Larry suspected some trick, but there was none. The man tamely surrendered. As he nursed his painful muscles, a sudden misgiving came over Larry.

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FORE:It was time, if they were to avoid a battle. Cumberland was already on the march from Edinburgh. He quitted Holyrood on the 31st of January, and the insurgents only commenced their retreat the next morning, the 1st of February, after spiking their guns. With this force the prince continued his march towards Inverness, a fleet accompanying him along the coast with supplies and ammunition. On nearing Inverness, he found it rudely fortified by a ditch and palisade, and held by Lord Loudon with two thousand men. Charles took up his residence at Moray Castle, the seat of the chief of the Macintoshes. The chief was in the king's army with Lord Loudon, but Lady Macintosh espoused the cause of the prince zealously, raised the clan, and led them out as their commander, riding at their head with a man's bonnet on her head, and pistols at her saddle-bow. Charles, the next morning, the 17th of February, called together his men, and on the 18th marched on Inverness. Lord Loudon did not wait for his arrival, but got across the Moray Firth with his soldiers, and accompanied by the Lord-President Forbes, into Cromarty. He was hotly pursued by the Earl of Cromarty and several Highland regiments, and was compelled to retreat into Sutherland. Charles entered Inverness, and began to attack the British forts. Fort George surrendered in a few days, and in it they obtained sixteen pieces of cannon and a considerable stock of ammunition and provisions.

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FORE:When the belief in a future life assumes the form last mentioned, it is, as we have said, simply a survival of the most primitive animism, not testifying to any religious reaction at the time when it can be proved to have flourished. It is introduced in the present connexion merely to show what ideas were current among those classes to whose opinions Roman civilisation was gradually giving irresistible weight. How the minds of the richer and more educated classes were affected by this underlying stratum, is shown by the nature of the figured representations with which their last abodes were ornamented. Everyone has been made tolerably familiar with these through the sculptured sarcophagi preserved in our museums; but, from their symbolical character, the significance of the reliefs with which they are decorated is not obvious at first sight; and some of the mythical adventures thus embodied may have been wrought without any reference to the destination of the dark and narrow chamber which they enclosed, or may even have been intended to divert the imagination from sad thoughts by the luxuriance of rushing life and joy and victory which they displayed; but after making every possible deduction on this score, there remain many others offering a deeper source of consolation to the bereaved survivor by the pictured promise of future reunion with those whom he had loved and lost. One favourite subject is the visit of Diana to the sleeping Endymion, by which is clearly foreshadowed an awakening to divine felicity from the sleep of death. The rape of Proserpine, followed by238 her restoration to the upper world, conveys a similar intention; as also does the fate of Adonis, since he too was believed to have risen from the dead. The marriage of Bacchus and Ariadne unquestionably symbolises the exchange of an earthly for a heavenly life; and the scenes of Bacchic revelry with which the interior of some tombs is decorated, were, to the imagination of those who designed them, no unbecoming image of the joys awaiting a blessed soul in its celestial abode. An inscription of which we have already quoted the opening words expresses in terms that hope of companionship with the joyous band of Dionysus at which the plastic representations can but mutely hint. ��Now in a flowery meadow,�� says the mourning mother of Doxato to her child, ��the priestess marked with a sacred seal is enrolling thee in the troop of Bacchus, where the Naiads that bear the sacred baskets claim thee as their fellow to lead the solemn procession by the light of torches.�� At the same time, a tenderer or graver note is often struck. The stories of Adm��tus and Alcestis, of Protesilaus and Laodameia, point to a renewal of conjugal love beyond the grave. What were formerly supposed to be scenes representing the eternal farewell of husband and wife are, in the opinion of modern archaeologists, pictures of their restoration to each other��s arms. Rising higher still, Achilles among the daughters of Lycom��des probably typifies the liberation of an immortal spirit from the seductions of sense. The labours of Heracles recall his apotheosis, and seem to show that a life of noble effort shall be rewarded hereafter. The battle of the Amazons is an allegory of strife with and triumph over the temptations of earthly delight. Another often-recurring theme, the hunting of the Calydonian boar, may mean the soul��s victory over death; but this explanation is offered only as a conjecture of the present writer��s.

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