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The Marquis de Boissy, a devoted Royalist with a long pedigree, went to one of the court balls in the dress of a Marquis of the court of Louis XV. On one of the princes of the blood observing to him

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Returning at one oclock one morning from some theatricals at the Princess Menzikoff, she was met by Mme. Charot in consternation announcing that she had been robbed by her German servant of 35,000 francs, that the lad had tried to throw suspicion upon a Russian, but the money having been found upon him he had been arrested by the police, who had taken all the money as a proof, having first counted the gold pieces.
ONE:However, she had plenty of interests, and made many English friends besides the numerous French emigrs she found there. She painted the portraits of the Prince of Wales, Lord Byron, the Comtesse de Polastron, adored by the Comte dArtois, who was [151] inconsolable when she died soon afterwards, and many othersEnglish, French, Russian, and Germanand made the acquaintance of the first musicians, actors, and singers of the day; also of the painters, many of whom were extremely jealous of her.Then she fled to her own room and gave way [225] to her grief, and to the forebodings which filled her mind, and still hung over her like a cloud, during the preparations and journey to Paris, where M. de Montagu soon wrote for his wife and child to join him without delay.
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TWO:
TWO:Have you no friend to accompany you?
TWO:And she turned away, leaving the soldier in tears.
TWO:
TWO:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.
TWO:CHAPTER II
TWO:One autumn night, after ten oclock, the beggar had not come in. They supposed the woman who took care of him had neglected to fetch him, and charitably waited till half-past. The sister cellarer sent for the keys, to take them, as usual, to the prioress, who would put them under her pillow. She was a demoiselle de Toustain, who, par parenthse, had had the golden ball of her prioresss staff engraved with the motto of her family, Tous-teints-de-sang (All stained with blood), which my aunt had thought out of place on an emblem of religious and pastoral office. She had remarked to the [372] Prioress, My dear daughter, a war-cry is always improper for a bride of Jesus Christ....
TWO:Although not a great painter he was absolutely devoted to his art, in which he would become so absorbed as to forget everything else. On one occasion he was going out to dinner and had already left the house, when he remembered something he wanted to do to a picture upon which he was working. He therefore went back, took off the wig he was wearing, put on a night-cap, and began to retouch the picture. Presently he got up, went out again, forgetting all about the night-cap which [14] he still had on, and which formed a singular contrast to his coat trimmed with gold braid, and the sword at his side; and would certainly have presented himself at the party to which he was going in this costume had he not fortunately met a neighbour, who stopped him and pointed out the strangeness of his appearance.

[育儿宝典]

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For the only consolation was that now the monsters were turning on each other; there were, in fact, more republicans than royalists in the [327] prisons. Every now and then some blood-stained miscreant was brought in amongst those whose homes he had wrecked, whose dear ones he had murdered, and whose fate he was now to share; while all shrunk in horror from him, or mocked and triumphed as he passed. When Chaumette, the high priest of the Revolution, one of the most blasphemous and blood-stained wretches of all, was brought to the Luxembourg, the prisoners would look through the little guichet where he was shut up, asking each other, Have you seen the wolf?The brothers of Napoleon came to see the pictures of Mme. Le Brun, which Lucien especially greatly admired.The infatuation of Barras for her began also to cool. He left off going to her as at one time to [342] consult her about everything. If he wished to see her, or she to see him, she must go to him at the Luxembourg.[42]
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