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THREE:"Oh! I certainly didn't mean anything against you, Smith. Why is your manner so strange to me to-day? Oh, Smith, if you knew what--if I could speak to you in sacred confidence--I--I wouldn't injure Ned Ferry in your eyes, nor in anybody's; I only tell you what I do tell so you may help me to help him. But he's staying here, Smith, and keeping you here, to be near one whose name--without her a-dreaming of it--is already coupled with--why,--why, what made you start that a-way again, Smith?"Fred remembered that when they left San Francisco at noon, the bell struck eight times, instead of twelve, as he thought it should have struck. The Doctor's explanation made it clear to him. FORE:She had watched him come down the path, and when he was some ten paces from her, she rose. She had no word, it would seem, for him, nor he for her, and they stood in silence opposite{312} each other. But the clear glance shone on him, steady and quiet and complete. Then, as by some common impulse, her hands and his were clasped together.Near the archery grounds there was a collection of so-called wax-works, and the Doctor paid the entrance-fees for the party to the show. These wax-works consist of thirty-six tableaux with life-size figures, and are intended to represent miracles wrought by Ku-wanon, the goddess of the temple. They are the production of one artist, who had visited the temples devoted to Ku-wanon in various parts of Japan, and determined to represent her miracles in such a way as to instruct those who were unable to make the pilgrimage, as he had done. One of the tableaux shows the goddess restoring to health a young lady who has prayed to her; another shows a woman saved from shipwreck, in consequence of having prayed to the goddess; in another a woman is falling from a ladder, but the goddess saves her from injury; in another a pious man is saved from robbers by his dog; and in another a true believer is overcoming and killing a serpent that sought to do him harm. Several of the groups represent demons and fairies, and the Japanese skill in depicting the hideous is well illustrated. One of them shows a robber desecrating the temple of the goddess; and the result of his action is hinted at by a group of demons who are about to carry him away in a cart of iron, which has been heated red-hot, and has wheels and axles of flaming fire. He does not appear overjoyed with the free ride that is in prospect for him. These figures are considered the most remarkable in all Japan, and many foreign visitors have pronounced them superior to the celebrated collection of Madame Tussaud in London. Ku-wanon is represented as a beautiful lady, and in some of the figures there is a wonderfully gentle expression to her features.

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