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There is a never-ending traffic of elephants, baggage-camels, and vehicles with shouting drivers; and on the ground are spread heaps of fruit, baskets for sale, glass baubles and weapons. In all the pink and white throng not an European dress is to be seen, not even one of the vile compounds adopted by the baboo, a striped flannel jacket over the dhoti. Men and women alike wear necklaces of flowers, or flowers in their hair; the children are gaudy with trinkets and glass beads.

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The ceremony now begins. The dastour chants his prayers, throwing handfuls of rice all the time[Pg 17] over the young couple. A sheet is held up between the two, and a priest twines a thread about the chair. At the seventh turn the sheet is snatched away, and the bride and bridegroom, with a burst of laughter, fling a handful of rice at each other.At the end of a passage that runs round the temple an old woman who had just been bathing was changing her wet saree for a dry one, and appeared quite stripped, dropping her garments, and careful only not to let her face be seen.
Slider 1 ONE:In the town a zebu cow was trotting along with an air of business. To avoid a vehicle she jumped on to the footpath and went her way along the flagstones, and every Hindoo that she passed patted her buttock and then touched his forehead with the same hand with great reverence.

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Slider 1 ONE:A man in the fort always struck out the hours on a gong, very slowly, in the heat of the day. Twelve at noon was interminableone, two, three were so feeble as to be scarcely audible. And then when it was cooler and the tom-toms could be heard in the distance, the strokes had a queer dislocated rhythm, and sometimes even a stroke too many, smothered in a hurried roll.The almost imperceptible hum of a bagpipe came up from below; in a white mosque of open colonnades enclosing a paved court, and in front of the little lamps that burned above the holy of holies sheltering the Koran, figures in light garments were prostrate in prayer; their murmurs came up to us in sighs, mingling with the slow and tender notes of the music.

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Slider 2 ONE:In the middle of the station groups of women and children squatted on the flagstones, their little bundles about them of red and white rags, and copper pots looking like gold; a huddled heap of misery, in this enormous hall of palatial proportions, handsomely decorated with sculptured marble.

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ONE:HYDERABAD

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THREE:They shoved it under water, but it presently rose to the surface and floated down the stream, followed by a flock of hawks that snatched at the burnt remains and fought over them in the air, while crocodiles below swam up and snapped at them, dragging them down in their enormous jaws, which appeared for a moment above the water.Further away, in another quite small temple, a young Brahmin robed in white, and very handsome, was reading the Ramayana to two women; the three quite filled the little building. The entrance was screened by a curtain composed of jasmine flowers threaded on fine string, and behind this veil of flowers the three figures looked like the creatures of a legend. Outside the sanctuary, seated on the steps and flagstones and obstructing the street, were a score or so of women redolent of lemon and[Pg 178] sandal-wood, and listening to the scripture distinctly chanted out by the young priest.

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THREE:

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THREE:In the atmosphere floated a pale blue smoke, rising from a heap of weeds that some children were burning, a weird sort of incense, acrid and aromatic, fading against the too-blue sky.

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THREE:Whenever our green driver meets another ekka-driver they both get off their perch and take a few puffs at the hookah that hangs in a bag at the back of the vehicle.

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ONE:He came into ours as if he were at home, and amused himself by worrying me. At first he made believe to throw my rings out of window, substituting others, I know not how, which I saw fall on the line and roll into the grass on the bank. My watch got into his hands and vanished; I found it in my friend T's pocket, and afterwards in a basket of provender closed at Bhawnagar, and which I unpacked with my own hands.

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THREE:At last, when it was very late, the reciter lifted the heavy idol on to his head. A few worshippers followed him, carrying the flowers, the little jars and the baskets offered to the goddess, and the procession marched off towards the Ganges; while the nautch-girls went on with their performance, giving loud, sharp shrieks out of all time with the shrill but somnolent music.

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Collect from 网站东京热一本道免费综合图片区_东京热一本道免费观_东京热一本道免费观看的电影 迅雷下载_东京热一本道免费高清视频在线播放
ONE:A tall wide gate beyond the bridge opens into the ferocious fortress of Hyderabad.

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THREE:[Pg 57]RAWAL PINDI

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THREE:On reaching the temple of Vishnu, on the very threshold, we met an elephant marching in front of the Brahmin priests, who were carrying water in copper amphor? to bathe the idols withal. Musicians followed the elephant, playing on bagpipes, on a kind of little trumpet, very short and shrill-toned, and on drums; and the beast, with its trunk swaying to right and left, begged a gift for the expenses of the temple.Inside the temple long arcades connect the shrines sunk in the thickness of the walls, gloomy recesses with images of Vishnu and other idols; where the corridors or arcades cross each other there are vast halls with a sculptured roof supported by thousands of columns. In one of these halls there is a chariot full of divinities. The wheels, the horses, the highly-venerated images, are all of marble very delicately wrought, and amazing after the coarse caricatures on the outside. In the courts again, under sheds, there are cars; one of enormous size in black wood carved with innumerable figures and interlacing patterns; pendant ornaments of the same wood sway in the wind. The solid wheels, without spokes, small and having huge axles, seem made not to turn, and the shafts, to which a whole army of the faithful harness themselves on the occasion of a high festival, are long and as thick as masts.[Pg 114] Another car, past service, lay slowly rotting in a corner; almost all its images had vanished, and its canopy had fallen off; it was almost completely hidden under aristolochia in blossom.

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THREE:

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THREE:My friend T, long a resident in India, and quite unmoved by the habitual turmoil of the native Hindoos, finally settled the difficulty between the cabbage of the priests and the soldiers' goat; the men would put on hemp-shoes, and we also, over our leather boots; as to the belt and gun-slings, as they only touched the soldiers themselves, they could defile nothing and might be allowed to pass.Elephants, freshly painted, go past begging.

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ONE:In an ancient mosque, somewhat dilapidated, was an infant-school. Little heaps of stuff, pink and yellow and white, and above them emaciated little faces with large dark eyes that had greenish-blue lights in them, all moving and rocking continually, and spelling aloud out of open books set up on wooden folding desks. The master in his pulpit listened stolidly with half-shut eyes, and detected the mistakes in all this twitter of little voices.Elephants came along, stepping daintily, but filling the whole width of the street, looking, with one little slanting eye cocked, as if they were laughing at the foot-passengers who were compelled to squeeze against the wall.

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TWO:"A doctor? I cannot say," replied Abibulla, "but the sahib knows many things." The woman's eyes entreated me. Would I not come? it would comfort the sick man, and help him, perhaps, to die easily if the gods would not spare him.He interrupted me:

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TWO:A day in the tonga. Early in the morning through snow, and past forests where huge pines were felled by yesterday's storm; then, after descending a hill in a thaw that melted the clay soil into red mud, we came to a felted carpet of flowers as close as they could lie, without leaves; violets, and red and white tulips swaying on slender stems. And here again were the song of birds, and fragrance in the soft, clear air.

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TWO:In another place two elephants of bright indigo, and some musicians all green, with red parrots on their wrists, are painted on the walls of a hall where the prayer-bell is incessantly tolled. Here many worshippers were prostrate. An idol, flanked by two statues on guard in stiff hieratic attitudes, was almost hidden under gold chains and a crown of inordinate splendour, while a priest, wearing only a loin-cloth, stood calmly sluicing the white plaster and putting the god through his toilet, sometimes splashing the congregation.

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There is a never-ending traffic of elephants, baggage-camels, and vehicles with shouting drivers; and on the ground are spread heaps of fruit, baskets for sale, glass baubles and weapons. In all the pink and white throng not an European dress is to be seen, not even one of the vile compounds adopted by the baboo, a striped flannel jacket over the dhoti. Men and women alike wear necklaces of flowers, or flowers in their hair; the children are gaudy with trinkets and glass beads.

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The ceremony now begins. The dastour chants his prayers, throwing handfuls of rice all the time[Pg 17] over the young couple. A sheet is held up between the two, and a priest twines a thread about the chair. At the seventh turn the sheet is snatched away, and the bride and bridegroom, with a burst of laughter, fling a handful of rice at each other.At the end of a passage that runs round the temple an old woman who had just been bathing was changing her wet saree for a dry one, and appeared quite stripped, dropping her garments, and careful only not to let her face be seen.

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A kind of lemon plant, with picotee-like flowers of a texture like crystalline pearl, its petals delicately fringed, exhales a fresh scent like verbena. Then, on an ebony-tree, overgrown with succulent leaves forming an edging to every bough, is a birdas it would seema lilac bird, with open wings, which, as we approach, turns into an orchid.Two days after, the people would burn in great state, on an enormous wood pile, an image of Time, to ensure the return next year of the festival of colours.
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