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David, Chardin, the celebrated genre painter, Van Loo, Grard, La Tour, Joseph Vernet, and many others were flourishing. Louis Vige was also an artist. He painted portraits in pastel, of which his daughter says that they were extremely good, many of them worthy of the famous La Tour; also charming scenes after the style of Watteau, in oil.

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They all boarded at the La Fayette, but as they were very poor there was very little to eat. They would dine upon ?ufs la neige, and spend the evening without a fire, wrapped in fur cloaks to keep out the cold of the early spring. M. de Montagu always had declared he had only had one good dinner in Holland, and that was one night when he dined with General Van Ryssel.The tone of society was entirely different during the Restoration from that of the Empire. The lavish expenditure in entertainments, dress, and daily life was no longer the fashion. An expensive toilette at any but a very great festivity was no longer correct, and even at court the extravagant splendour of the costumes of the Imperial court was not encouraged. The principal people were no longer those who possessed enormous fortunes which they were eager to spend; the [477] nobles and gentlemen whose names were the most distinguished at the court of Louis XVIII. being most of them nearly if not quite ruined.When people in Parisian society thought of the country, they thought of lambs with ribbons round their necks, shepherdesses in fanciful costumes with long crooks, or a rosire kneeling before the family and friends of the seigneur to be crowned with flowers and presented with a rose as the reward of virtue, in the presence of an admiring crowd of villagers; of conventional gardens, clipped trees, and artificial ruins; but wild, picturesque mountain scenery was their abhorrence.
THREE:From the care of the Dauphin and Dauphine, who had exercised the most affectionate supervision over them, their children passed to that of their grandfather, who, though he was fond of his daughters, cared very little about his grandchildren, never inquiring about their studies, conduct or habits. He only saw them at the hours required by etiquette, when he embraced them with ceremony; but he took care that they were treated with all the homage due to the Children of France, and gave orders that their wishes were always to be gratified. ONE:Cherchons bien les chemises
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FORE:Qui que tu sois, voil ton ma?trePauline never cared much for society, and her tastes were not sufficiently intellectual to enable her to take much part in the brilliant conversation or to enter with enthusiasm into the political ideas and principles discussed at the various houses to which she went with Mme. de Bouzolz, who did not trouble herself about philosophy or ideas; and M. de Beaune, who was a strong Conservative, and held revolutionary notions in abhorrence.

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FORE:But her practice cannot be said to have been altogether in accordance with all the professions and talk about virtue and duty, which she made such a parade.

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FORE:Very well, you shall have it; and stay there! Is it possible that I have been the comrade of such a man?

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THREE:When the twin daughters of the Duc de Chartres were five years old, one of them caught the measles, got a chill and died, to the great grief of the Duchess and the remaining twin, Madame Adla?de dOrlans. One day the Duc de Chartres came to consult Flicit, as he was in the habit of doing on all occasions; and on this one he confided to her that he could not find a tutor he liked for his boys, that they were learning to speak like shop boys, and that he wished she would undertake their education as well as that of their sister; to which she agreed. It was arranged that the Duke should buy a country house at Belle Chasse, where they should spend eight months of the year; the Duchesse agreed to the plan, all was settled, and Mme. de Genlis embarked on the career of education, [402] which had always been a passion with her, and which she could now pursue with every advantage.
THREE:La Fayette, accused and proscribed by his late admirers, had found himself so unwilling to trust [232] to their tender mercies that he fled to Lige. But having made himself equally obnoxious to both sides, he had no sooner escaped from the hands of his friends than he fell into those of his enemies, and was arrested by an Austrian patrol and detained, arbitrarily say his friendsbut why arbitrarily?was taken to Wesel, and had now to undergo a mild form of the suffering he had caused to so many others.
THREE:The Comte de Provence, his brother, remarks in his souvenirs: The court did not like Louis XVI., he was too uncongenial to its ways, and he did not know how to separate himself from it, and to draw nearer to the people, for there are times when a sovereign ought to know how to choose between one and the other. What calamities my unfortunate brother would have spared himself and his family, if he had known how to hold with a firm hand the sceptre Providence had entrusted to him. [84]
THREE:Nor I either, said the police officer, laughing; but why then did you say you were the devil, and what are you and your companions doing?
THREE:It was the h?tel de Genlis, which for fifteen years had been the residence of her brother-in-law. She did not recognise it, as all the ground floor was divided and turned into shops!
THREE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.At a concert in Milan she made the acquaintance of the Countess Bistri, a beautiful Pole, who was also going to Vienna with her husband. They arranged to travel together, and this was the beginning of a long and intimate friendship.
THREE:Just after the last recorded incidents Flicit experienced a great sorrow in the loss of her friend, the Comtesse de Custine, an angelic woman, who, in spite of her beauty and youth (she was only twenty-four), lived as far as she could apart from the world, fearing the corruption and vice around her, and devoting herself to her religious and domestic duties. Her husband, who adored her, was necessarily absent with his regiment for long periods. Her brother-in-law, the Vicomte de Custine, of a character as bad as that of his brother was admirable, professed openly the most violent passion for Mme. de Genlis, who did not care at all for him, gave him no encouragement, but was rather flattered by the excess of his devotion and despair.
THREE:It was before the death of Louis XV., the court was at Compigne, and the young Prince, since his marriage was decided, had been less strictly looked after by the Comte de Montbel, his sous gouverneur, who would not usually allow him to go alone into the thicker parts of the forest, not because of wild beasts but of other not less dangerous encounters which were possible.

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FORE:She was a strange character, full of artificial sentiment, affectation, and self-deception, and, unlike the first three heroines of this book, the mystery and doubts which hung over her have never been cleared up.

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FORE:She declared that she would have resigned before had it not been for the calumnies, injustice, and persecution (!) carried on against the Duc dOrlans; she hoped his return would dispel the clouds; she pictured the grief her pupils would feel, &c., &c.

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