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A smart affair altogether is this carriage! two very high wheels, no springs, a tiny cotton awning[Pg 269] supported on four sticks lacquered red, and sheltering the seat which has three ropes by way of a back to it. Portmanteaus and nosebags are hung all round, and even a kettle swings from the near shaft, adding the clatter of its cymbal to the Indian symphony of creaking wheels, the cracking whips, the driver's cries of "Cello, cello," and Abibulla's repeated "Djaldi," all intended to hurry the horse's pace.

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ONE:At a turn in the road the view opened out to a[Pg 249] distant horizon; the plain of Peshawur, intensely green in contrast with the rosy tone of the foreground; and far away the Himalayas, faintly blue with glaciers of fiery gold in the sun, against a gloomy sky where the clouds were gathering.
  • 远方 有一个地方 那里种有我们的梦想
  • 某天 也许会相遇 相遇在这个好地方
  • 不要太担心 只因为我相信 终会走过这条遥远的道路
  • OH PARA PARADISE 是否那么重要 你是否那么地遥远
荣誉榜
TWO:[Pg 89]
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    THREE:After an hour's passage we reached the island, which is thickly planted with fine large trees.At the last moment some porters, preceded by two sowars in uniform and holding pikes, bore a large palankin, hermetically closed, to the door of a first-class carriage, and softly set it down. The carriage was opened for a moment: I could see within a party of women-servants, shrouded in white muslin, who were preparing a couch. An old negress handed out to the porters a large sheet, which they held over the palankin, supporting it in such a way as to make a covered passage screening the carriage door. There was a little bustle under the sheetthe end was drawn in, and the sheet fell over the closed door.
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    • 2016/11/11 12322
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TWO:
TWO:"No."

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TWO:At a station where we stopped, a man with a broad, jolly, smiling face got into the carriage. He was a juggler and a magician, could do whatever he would, and at the time when the line was opened[Pg 90] he threatened that if he were not allowed to travel free he would break the trains into splinters. The officials had a panic, and the authorities were so nervous that they gave way; so he is always travelling from one station to another, living in the carriages.

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TWO:In the evening I was to dine with the officers of the Artillery mess, and in going I lost my way. Suddenly before me stood the amber palace, with blue shadows, moon-coloured, the carvings like opal in changing hues of precious gems. Half hidden by a growth of jasmine that loaded the air with fragrance, up rose the cupolas of the little mosque, like pearls reflecting the sparkle of the stars.

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The muddy waters reflected the grey houses and the roofs of unbaked clay, on which the winter snows were melting in black trickling drops.As we went further south Moslem tombs became more and more rare; the lingam was to be seen here and there among the rice-fields: a gross idol made of stone and looking like a landmark, set up under a tree or sheltered by a little kiosk. Soon temples of Vishnu were seen, raising their[Pg 104] pyramidal piles of ten stories to the sky. Amid the cool shade of palms and bamboos, close to each temple, was a fine tank with steps all round it; and surrounded by this magnificence of architecture and vegetation Hindoos might all day be seen bathing, dwellers in hovels of plaster or matting, sometimes in mere sheds supported on sticks, within the shadow of the splendid building full of treasure, in which the god is enshrined.We sailed past the holy city in a heavy, massive junk, the prow formed of a snake with its head erect and jaws yawning, down the Ganges, all rippled with rose and blue. Palaces, and more palaces, with thick walls and towers, that look like bastions, stand in perspective as far as the eye can see. Windows and balconies are cut in the ponderous masonry at the level of the third floor, and high above these rajahs' dwellings rise the domes of the temples, pointing skywards among tall trees that spread their shade on the russet stonework. At the foot of the palaces, steps lead down to the river, divided by little stages covered with wicker umbrellas that shine in the sun like discs of gold; under these, Brahmins, after bathing, were telling their beads. Now and again they dipped their fingers in the sacred waters and moistened their eyes, forehead, and lips.In front of a statue of Kali with a hundred arms, surrounded by rough votive offerings carved in wood, most of them representing legs, a man was pouring out rice, and a whole flight of grey leilasbirds like magpiesalmost settled on his hands: birds of the temple, so familiar that one even allowed me to catch it, and did not fly away at once when I set it at liberty. There are rows of black Buddhas, white Buddhas, Sivas painted redterriblestraddling in fighting attitudes; pilgrims without end bow and pray in front of each idol.In a long narrow bark, with a pointed white saila bunder-boatwe crossed the roads to Elephanta, the isle of sacred temples. Naked men, with no garment but the langouti, or loin-cloth, navigated the boat. They climbed to the top of the mast, clinging to the shrouds with their toes, if the least end of rope was out of gear, hauled the sail up and down for no reason at all, and toiled ridiculously, with a vain expenditure of cries and action, under the glaring sky that poured down on us like hot lead.But the enchantment of this rose-tinted land, vibrating in the sunshine, is evanescent. The city[Pg 3] comes into view in huge white massesdocks, and factories with tall chimneys; and coco-palms, in long lines of monotonous growth, overshadow square houses devoid of style.
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