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In the evening, in the open street, we came upon a circle of bystanders all beating time, while in the midst four little girls were dancing, wearing the sarong, but naked to the waist. They leaned very much over to the right, resting the right elbow on the groin, clapping the right hand with the left, and throwing back the left leg. All four did the same, round and round, and this went on again and again without a pause, under the pale light of the stars filtering through an enormous banyan tree. Occasionally a woman among the crowd would give a slow, long-drawn cry, and the dancers answered in very short notes, piercingly shrill.In the evening I was to dine with the officers of the Artillery mess, and in going I lost my way. Suddenly before me stood the amber palace, with blue shadows, moon-coloured, the carvings like opal in changing hues of precious gems. Half hidden by a growth of jasmine that loaded the air with fragrance, up rose the cupolas of the little mosque, like pearls reflecting the sparkle of the stars.

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THREE:MURREE
FORE:At the first ray of sunrise I went down to the temples, hewn out of the side of the hill and extending for above a mile and a quarter. Gigantic stairs are cut in the rock, and lead to caves enshrining immense altars, on which Buddha or other idols of enormous size are enthroned. Hall after hall is upheld by carved pillars. Bas-reliefs on the walls represent the beatitudes of Krishna surrounded by women, or the vengeance of Vishnu the terrible, or the marriage of Siva and Parvati; while on the flat roof, on the panels and architravesall part of the solid rockthere is an endless procession of Krishnas and Vishnus, on a rather smaller scale, producing utter weariness of their unvaried attitudes and beatific or infuriated grimacing.The central square, formerly the Sultan Akbar's garden, is now a parade-ground for soldiers, and barracks occupy the site of ruined palaces. Still[Pg 207] some remains of ancient splendour are to be seen that have escaped the vandals.
TWO:The actors spoke their parts like lessons, with a gesture only now and then, and invariably wrong;[Pg 229] and they all spoke and sang through the nose in an irritating voice pitched too high."Kali?" he asked.
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THREE:One after another I made my salaam to Siva, seated on a peacock; to Ganesa, looking calm and knowing; to Parvati, riding a bull; to Siva again, this time pinning a dragon to the ground with a fork, a writhing reptile with gaping jaws and outspread wings; the same god again, with a child in[Pg 121] his arms; and again, holding his leg like a musket up against his shoulder with one of his four hands, the other three lifting a bull, a sceptre, and a trophy of weapons above his head.

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THREE:Inside, a subdued light, rosy and golden, comes in through the myriad interstices, casting a glow of colour on the pierced marble screens which enclose the tomb of Shah Alam, Sultan of Gujerat. The tomb itself, hung with a red cloth under a canopy on posts inlaid with mother-of-pearl, is dimly seen in the twilight, scarcely touched here and there with the pearly gleam and lights reflected from ostrich eggs and glass ballstoys dedicated by the faithful to the hero who lies there in his last sleep. Yet further away, under the trees, is another tomb, almost the same, but less ornamented, where the sultan's wives repose.

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FORE:In a suburb of little houses beyond a great open square stands a gatewaya monumental portico of pink sandstone inlaid with white marble, on which the texts from the Koran, in black marble, look green in the intense light.And suddenly, emerging from the ruins, we came on a Moslem street with high walls, windowless, and waving plumes of banyan and palm trees rising above the houses.
THREE:NANDGAUN

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THREE:The four sons of the king presently come to a town. They ring at the door of a house inhabited by a woman who, as the little English translation tells us, carries on a foul trade, and Dilbar the dancing-girl appears.

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THREE:A station on the roadthe delightful days at Bunnoo left far behind.

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  • FORE:Beyond the new town of broad avenues planted with trees and bordered with gardens, was a brand-new bridge of gaudy bricks over a river, almost dry, where a swarm of naked natives were performing their ablutionswashing linen and shaking out red and white cloths, as far as the eye could see. Buffaloes lying in the mud were sleeping among the tame ducks, the ibis, and the herons, all seeking their food. An elephant plunged into the water, splashing it up and scaring thousands of bright birds, which flew up against the intensely blue sky.

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  • FORE:Far away a murmur is heard, a long-drawn chant, suddenly arousing the birds; they flap their wings, stretch themselves clumsily, and then fly towards one of the towers.

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  • FORE:[Pg 38]

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  • FORE:"Kali?" he asked.

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FORE:In one tent there was a display of innumerable gilt images, very suggestive of Jesuit influencemincing, chubby angels, martyrs carrying palm-branches, and ecstatic virgins with clasped hands, all serving to decorate the shrine in which the god was to be carried back to the temple. Coloured fires lighted the workmen, and in the background the temple was darkly visible, with only a few dim lamps shrouded in incense, and burning before Rama, whose festival was being kept.Beyond the new town of broad avenues planted with trees and bordered with gardens, was a brand-new bridge of gaudy bricks over a river, almost dry, where a swarm of naked natives were performing their ablutionswashing linen and shaking out red and white cloths, as far as the eye could see. Buffaloes lying in the mud were sleeping among the tame ducks, the ibis, and the herons, all seeking their food. An elephant plunged into the water, splashing it up and scaring thousands of bright birds, which flew up against the intensely blue sky.
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In the depths of little recesses the lamps twinkled feebly before images crowned with flowers. At the entrances to shrines little glass lamps, like a mysterious fairy illumination, followed the lines[Pg 116] of the arabesques, sparkling like glowworms, without lighting up the passages which remained dark, and in which, in fact, we finally lost ourselves.[Pg 295]After breakfast a party of jugglers appeared in front of the hotel; they performed on a little carpet spread under the shade of a banyan tree. Acrobatic tricks first, human ladders, feats of strength; then nutmegs were made to vanish and reappear; and finally they conjured away each other in turn, in little square hampers that they stabbed with knives to prove that there was nobody inside;[Pg 11] and to divert the spectators' attention at critical moments they beat a tom-tom and played a shrill sort of bagpipe.Over the gate and the door of the house light garlands, made of single flowers threaded like beads, swing in the breeze and scent the air.Fakirs, holding out their begging-bowls as they squatted round an opening in the ground, showed that it was the entrance to a temple; a few steps down, a long corridor with little niches on each side, and then hall after hall full of grimacing gods, lighted up by our guide's torch, till at last we reached an immense vault where impenetrable darkness filled the angles lost in a labyrinth of arcades converging to some mystery. Here all the Hindoo gods, carved in stone, have been crowded together, with their horrible contortions, their stolid beatitude, their affected grace; and in their midst is a huge idol, hacked with a great cut by Aurungzeeb, the Moslem emperor, at the time of his conquest. Suddenly all about us was a crowd of Brahmins, appearing from what dark corners we could not discover. They looked nasty and half asleep, and vanished at once with a murmur of whispered speech that hung about the galleries in an echo.All round Domel there were fields of lilac lilies among the silky young grass, and the cliffs were[Pg 271] hung with a yellow eglantine exhaling a penetrating scent of almonds.
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