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He stopped, and afterwards began to play with her; but another Jacobin from Grenoble, also a passenger, gave vent to all kinds of infamous and murderous threats and opinions, haranguing the people who collected round the diligence whenever they stopped for dinner or supper; whilst every now and then men rode up to the diligence, [88] announcing that the King and Queen had been assassinated, and that Paris was in flames. Lisette, terrified herself for the fate of those dear to her, tried to comfort her still more frightened child, who was crying and trembling, believing that her father was killed and their house burnt. At last they arrived safely at Lyon, and found their way to the house of a M. Artaut, whom Lisette did not know well. But she had entertained him and his wife in Paris on one or two occasions, she knew that their opinions were like her own, and thought they were worthy people, as indeed they proved to be.

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THREE:
THREE:At Brussels she found her nephew, Csar Ducrest, and, after nine years separation, was reunited to her daughter, who accompanied her to Paris.Amongst other old friends whom she now frequented was the Comtesse de Sgur, who equally disliked the alterations in social matters.

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THREE:Always eager to marry his officers, he was often very peremptory about it.Name! Oh! my name is the devil, and he hurried away.

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THREE:This was all the more inexplicable as he not only suspected and accused her of conspiracy, but made no pretence of being faithful to her, and had taken away Mme. Chevalier, the mistress of his devoted valet de chambre, Koutaivoff. The doors between his own apartments and those of the Empress he had caused to be double-locked, thereby preventing his own escape when the conspirators forced their way into his room, headed by Zuboff, whom he had first exiled, then loaded with favours.

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THREE:Mme. de Genlis hired a man from the village to go with them, and with his help and that of Darnal forced the postillions, who were very insolent, to return to London.
FORE:Grassini had sung at her London parties, and comparing these two great singers and actressesboth young, beautiful, and celebratedMme. Le Brun found that although the voice of Catalani was in its beauty and compass one of the most extraordinary ever known, Grassini had more expression.See Madame, people go also to pay their court to Mme. Le Brun. They must certainly be rendezvous which they have at her house.

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FORE:It was asserted by one person that she had seen the MS. of the Aurore on the table of Mme. de Genlis, but it is not likely that she would have been guilty of mixing herself in such an infamy; it was one of the slanders, probably, of which she complained, but was the result of associating intimately with such a man as the Duc de Chartres.

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FORE:The first time they entered it Mme. Du Barry said, It was in this room that Louis XV. used to [76] do me the honour to dine. There was a tribune above for the musicians who played and sang during dinner.She was constantly surrounded by perils and temptations which to many would have been irresistible. Admiring eyes followed her at the theatre, people crowded round her in the gardens and places of entertainment, men of rank who wanted an opportunity of making love to her had their portraits painted by her for that purpose; but she treated them all with indifference, and when she noticed that their looks and glances were too expressive she would coolly remark: I am painting your eyes now, or would insist on the portrait being done with the eyes looking in another direction.

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What they wanted was a free and just government under a constitutional king, but they failed to realise that their party was far too small and too weak to have any chance of carrying out their plans, and that behind them was the savage, ignorant, bloodthirsty multitude with nothing but contempt and derision for their well-intentioned projects of reform and law and just government, pressing onwards to the reign of anarchy and devastation which they themselves were doing everything to help them to attain.MARIE ANTOINETTE[242]When the Empress returned from Czarskoiesolo she desired Mme. Le Brun to paint the portraits of the Grand Duchesses Alexandrine and Helena, daughters of the Tsarevitch, then fourteen and thirteen years old, and afterwards that of the Grand Duchess Elizabeth, wife of Alexander, eldest grandson of the Empress, the young girl she had [134] seen on her first visit to Czarskoiesolo, by whom she was completely fascinated.
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