ONE:While Plato identified the individual with the community by slurring over the possible divergence of their interests, he still further contributed to their logical confusion by resolving the ego into a multitude of conflicting faculties and impulses supposed to represent the different classes of which a State is made up. His opponents held that justice and law emanate from the ruling power in the body politic; and they were brought to admit that supreme power is properly vested in the wisest and best citizens. Transferring these principles to the inner forum, he maintained that a psychological aristocracy could only be established by giving reason a similar control over the animal passions.141 At first sight, this seemed to imply no more than a return to the standpoint of Socrates, or of Plato himself in the Protagoras. The man who indulges his desires within the limits prescribed by a regard for their safe satisfaction through his whole life, may be called temperate and reasonable, but he is not necessarily just. If, how233ever, we identify the paramount authority within with the paramount authority without, we shall have to admit that there is a faculty of justice in the individual soul corresponding to the objective justice of political law; and since the supreme virtue is agreed on all hands to be reason, we must go a step further and admit that justice is reason, or that it is reasonable to be just; and that by consequence the height of injustice is the height of folly. Moreover, this fallacious substitution of justice for temperance was facilitated by the circumstance that although the former virtue is not involved in the latter, the latter is to a very great extent involved in the former. Self-control by no means carries with it a respect for the rights of others; but where such respect exists it necessitates a considerable amount of self-control.
FORE:A moment later and Balmayne was up again. Leona Lalage looked at him enquiringly. He had no breath to speak. With gleaming eyes Balmayne held two rusty old cases over his head. Leona grasped the motor lamp, and Balmayne forced back the clasps of the cases.It was natural that one who united a great intellect to a glowing temperament should turn his thoughts to poetry. Plato wrote a quantity of versesverse-making had become fashionable just thenbut wisely committed them to the flames on making the acquaintance of Socrates. It may well be doubted whether the author of the Phaedrus and the Symposium would ever have attained eminence in metrical composition, even had he lived in an age far more favourable to poetic inspiration than that which came after the flowering time of Attic art. It seems as if Plato, with all his fervour, fancy, and dramatic skill, lacked the most essential quality of a singer; his finest passages are on a level with the highest poetry, and yet they are separated from it by a chasm more easily felt than described. Aristotle, whom we think of as hard and dry and cold, sometimes comes much nearer to the true lyric cry. And, as if to mark out Platos style still more distinctly from every other, it is also deficient in oratorical power. The philosopher evidently thought that he could beat the rhetoricians on their own ground; if the Menexenus be genuine, he tried to do so and failed; and even without its191 testimony we are entitled to say as much on the strength of shorter attempts. We must even take leave to doubt whether dialogue, properly so called, was Platos forte. Where one speaker is placed at such a height above the others as Socrates, or the Eleatic Stranger, or the Athenian in the Laws, there cannot be any real conversation. The other interlocutors are good listeners, and serve to break the monotony of a continuous exposition by their expressions of assent or even by their occasional inability to follow the argument, but give no real help or stimulus. And when allowed to offer an opinion of their own, they, too, lapse into a monologue, addressed, as our silent trains of thought habitually are, to an imaginary auditor whose sympathy and support are necessary but are also secure. Yet if Platos style is neither exactly poetical, nor oratorical, nor conversational, it has affinities with each of these three varieties; it represents the common root from which they spring, and brings us, better than any other species of composition, into immediate contact with the mind of the writer. The Platonic Socrates has eyes like those of a portrait which follow us wherever we turn, and through which we can read his inmost soul, which is no other than the universal reason of humanity in the delighted surprise of its first awakening to self-conscious activity. The poet thinks and feels for us; the orator makes our thoughts and feelings his own, and then restores them to us in a concentrated form, receiving in vapour what he gives back in a flood. Plato removes every obstacle to the free development of our faculties; he teaches us by his own example how to think and to feel for ourselves. If Socrates personified philosophy, Plato has reproduced the personification in artistic form with such masterly effect that its influence has been extended through all ages and over the whole civilised world. This portrait stands as an intermediary between its original and the far-reaching effects indirectly due to his dialectic inspiration, like that universal soul which Plato himself has placed between192 the supreme artificer and the material world, that it might bring the fleeting contents of space and time into harmony with uncreated and everlasting ideas.
FORE:Before I witnessed this terrible event at Landen some Germans in the train had already told me that they simply killed the British whom they made prisoners. Others assured me that such a thing did not happen in their division, but one asserted that by his company alone already twenty-six had been killed. I did not believe them then, and thought that they were better than they made themselves out, but after having witnessed that scene at Landen ...!
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