TWO:The enthusiasm which now pervaded the whole Italian peninsula was unbounded, and broke forth in frantic expressions of joy and triumph. The days of Continental despotism seemed numbered at last. Everything promised well for the cause of Italian freedom and unity. The Italian troops stationed at Bergamo, Cremona, Brescia, and Rovigo joined the insurgents. The Grand Duke of Tuscany set his troops in motion; the Pope blessed the volunteers; even Naples sent a contingent. The Austrian garrisons had to abandon Padua and several other places, while the great fortress of Verona was held with difficulty. In the south of Italy the cause of despotism seemed to be going down rapidly. Deceived by the promises[583] of the King of Naples, the people of Sicily determined to trust him no longer. In January, 1848, an address to the Sicilians was issued from Palermo, which stated that prayers, pacific protestations and demonstrations had all been treated by Ferdinand with contempt. Palermo would receive with transport every Sicilian who should come armed to sustain the common cause, and establish reformed institutions, "in conformity with the progress and will of Italy and of Pius IX." Property was to be respected, robbery was to be punished as high treason, and whoever was in want would be supplied at the common charge. The king's birthday was kept by unfurling the banner of revolution, and calling the citizens to arms. The royal troops retired into the barracks, the forts, and the palace, leaving the streets and squares in possession of the insurgents. The determination of the Sicilians caused the weak and wavering king, Ferdinand II., to yield; and on the 28th of January a royal decree appeared upon the walls of Naples, granting a Constitution for the Kingdom of the Two Sicilies. Orders were sent the same day to Palermo for the withdrawal of the Neapolitan troops, and an amnesty for political offences soon was published. The troops remained in the garrison, however, and occasional conflicts took place between them and the citizens till the 2nd of May, when an armistice was agreed to, which lasted to the 2nd of August. In the meantime the elections had taken place under the new Constitution, which the king had promulgated; but the Neapolitan Chamber proceeded to modify it, to which the king objected. The people, led on by the National Guard, which had been established, determined to support the Assembly. On the 15th of May, therefore, barricades were erected in the streets, the royal palace was occupied by troops, and artillerymen stood by their guns with lighted matches in their hands. The accidental firing of a gun led to a collision with the Swiss troops; thereupon, a tremendous battle ensued, lasting for eight hours, in which the royal troops were completely victorious.The two Pugins, father and son, had much to do with the revival of Gothic architecture among us. The father, Augustus, born in France in 1769, came over to London to practise his profession. In 1821-3 he published "Specimens of Gothic Architecture," selected from various ancient edifices in England; and in 1825-28 "Specimens of the Architectural Antiquities of Normandy." The year before his death, in 1832, he assisted his son in producing a work entitled "Gothic Ornaments," selected from various buildings in England and France. Augustus Welby Pugin, who was born in 1811, very soon eclipsed his father's fame. Having resolved to devote his time to the arch?ological study of style and symbolism in architectural ornaments, he settled down at Ramsgate in 1833, and carried his resolution into effect both with pen and pencil. In 1835 he published designs for furniture, in the style of the fifteenth century; and designs for iron and brass work, in the style of the sixteenth and seventeenth centuries. The year following appeared his "Designs for Gold and Silver Ornaments, and Ancient Timber Houses." His exclusive and ardent devotion to these studies, aided, no doubt, by his habits of seclusion, began to produce a morbid effect upon his intellect, which was shown in the overweening arrogance of a tract entitled "Contrasts; or, a Parallel between Ancient and Modern Architecture." This morbid tendency probably was increased by his becoming a member of the Roman Catholic Church, in which a great field was opened for the display of his peculiar tastes by the construction of buildings which he expected would shame the degenerate taste of the age, but which, too often, were found to be gloomy and inconvenient. His principal works were the Cathedral of St. George, Southwark, the Church of St. Barnabas, at Nottingham, the Cistercian Abbey of St. Bernard, in Leicestershire, the cathedral churches of Killarney and Enniscorthy, Alton Castle, and the model structure which he erected at his own place near Ramsgate. The Medi?val Court in the Exhibition of 1851 was associated in all minds with the name of Pugin. In his case genius was too nearly allied to madness. The awful boundary was passed towards the close of his life, when his friends were obliged to confine him in a lunatic asylum, from which he returned only to die in 1852.
