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TWO:One of the most interesting street sights of their first day in Pekin was a procession carrying a dragon made of bamboo covered with painted paper. There was a great noise of tom-toms and drums to give warning of the approach of the procession, and there was the usual rabble of small boys that precedes similar festivities everywhere. The dragon was carried by five men, who held him aloft on sticks that also served to give his body an undulating motion in imitation of life. He was not pretty to look upon, and his head seemed too large for his body. The Chinese idea of the dragon is, that he is something very hideous, and they certainly succeed in representing their conception of him. Dr. Bronson explained that the dragon was frequently carried in procession at night, and on these occasions the hollow body was illuminated, so that it was more hideous, if possible, than in the daytime."To having the clock fitted into them."

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THREE:"I told you he was mad!" shouted Allingham, as he and Gregg leapt through the aperture of the pavilion and dashed to the rescue."Well, I reckon I'll stop all night." I began to move on. His eyes followed greedily.

THREE:"The second step is to attach these flattened threads of wire by their edges to the bowl. This is done by means of a fusible glass, which is spread over the surface of the bowl in the form of paste; the bits of wire are carefully laid in their places in the paste, and the bowl is then baked just enough to harden the surface and make it retain the threads where they belong. Now comes the third step.

THREE:She became frigid. "Do you know who and what Charlotte Oliver is?--No? Well, to begin with, she's a married woman--but pshaw! you believe nothing till it's proved. If I tell you who and what I am will you do what I've asked you; will you promise not to stop at Lucius Oliver's house?" She softly reached for my hand and pressed and stroked it. "Don't stop there, dear. Oh, say you will not!"

THREE:For a moment I quite forgot how evident it was that she had gathered earlier inklings of it from some one else. Suddenly my thought was of something far more startling. It stopped my breath; I halted; I held my temples; I stared. What would she do with a secret she had taken such hazards to extort? Ah! she'd carry it straight to market--why not? She would give it to the enemy! Before my closed eyes came a vision of the issue--disaster to our arms; bleeding, maiming, death, and widows' and orphans' tears.��I��m getting spoiled here,�� he said, ��all you dear ladies of Bracebridge positively spoil me with your altar-cloths and our extra cups of tea. I��m getting too comfortable. And here��s Miss Alice with{103} a cigarette at my elbow. But I don��t know whether it��s allowed. Have one with me, Miss Alice, and then your mother will have to scold us both, and I know she��s too fond of you to scold you.��

THREE:Through this active scene of refreshment and recreation, our party strolled along, and at length came to the gateway of the temple, an enormous structure of wood like a house with triple eaves, and raised on pillars resembling the piers of a bridge. This is similar to the gateway that is found in front of nearly every Japanese temple, and is an imposing ornament. On either hand, as we pass through, we find two statues of demons, who guard the entrance, and are gotten up in the superlative degree of hideousness. When the Japanese give their attention to the preparation of an image of surpassing ugliness, they generally succeed, and the same is the case when they search after the beautiful. Nothing can be more ugly[Pg 127] in feature than the giants at Asakusa, and what is there more gracefully beautiful than the Japanese bronzes that were shown in the great exhibitions at Philadelphia and Paris? Les extr��mes se touchent.AMUSEMENTS.��WRESTLERS AND THEATRICAL ENTERTAINMENTS.