FORE:I have endeavoured to be accurate in all the dates and incidents, and have derived my information from many sources, including the Mmoires de Louis XVIII., recueillis par le Duc de D, Mmoires de la Comtesse dAdhmar, de Mme. Campan, MM. de Besenval, de Sgur, &c., also the works of the Duchesse dAbrants, Comtesse de Bassanville, Mme. de Crquy, Mme. de Genlis, Mme. Le Brun, MM. Arsne Houssaye, de Lamartine, Turquan, Dauban, Bouquet, and various others, besides two stories never yet published, one of which was given me by a member of the family to which it happened; the other was told me in the presence of the old man who was the hero of it.Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.
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FORE:Taking leave of the excellent Signor Porporati and his daughter, they proceeded to Parma, where the Comte de Flavigny, Minister of Louis XVI., at once called upon Mme. Le Brun, and in his society and that of the Countess she saw everything at Parma. It was her first experience of an ancient, [91] thoroughly Italian city, for Turin cannot be considered either characteristic or interesting.
