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THREE:The great picture of Marie Antoinette and her three children, which under Napoleon had been hidden away in a corner at Versailles, was taken out and exhibited at the Salon, where every one crowded to look at it. Again she painted the portraits of the royal family, contrasting the simple, gracious politeness of the Duchesse de Berri, of whom she did two portraits, with the vulgar, pretentious airs of Caroline Murat.Again one remembers the words of Napoleon to the grandson of Necker, who said that his grandfather defended the King�� FORE:That the head of an excitable, thoughtless girl not sixteen, should be turned by the whirl of pleasure and admiration into which she was launched, cannot be surprising.

THREE:But that she should have been and still be accused, especially with regard to the Duke of Orl��ans, she had no right to complain. After all, those who wish to play the world��s game must play by the world��s rules. Certain ways of acting always cause certain conclusions to be drawn, and what else was likely between a man like Philippe-��galit�� and a fascinating woman he admired, and with whom he was thrown into constant and intimate association, but the liaison every one might expect, and which it is impossible not to believe in. FORE:

THREE:The Marquis de Noailles was one of the gentlemen of the household of the Comte de Provence, who did not much like the Noailles, and said that the Marquis was a true member of that family, eager after his own interests and those of his relations. Even the saintly Duchesse de Lesparre, when she resigned her place of dame d��atours to the Comtesse de Provence, was much aggrieved that the latter would not appoint another Noailles, but chose to give the post to the Comtesse de Balbi, a personal friend of her own.The last time Mme. Le Brun saw the Queen was at the last ball given at Versailles, which took place in the theatre, and at which she looked on from one of the boxes. She observed with indignation the rudeness of some of the young Radical nobles; they refused to dance when requested to do so by the Queen, whose agitation and uneasiness were only too apparent. The demeanour of the populace was becoming every day more ferocious and alarming; the drives and streets were scarcely safe for any but the lower classes. At a concert given by Mme. Le Brun, most of the guests came in with looks of consternation. They had been driving earlier in the day to Longchamps, and as they passed the barri��re de l����toile, a furious mob had surrounded and insulted everybody who passed in carriages. Villainous looking faces pressed close to them, horrible figures climbed on to the steps of the carriages, crying out, with infamous threats and brutal language, that next year they should be in the carriages and the owners behind them. FORE:A fashionable promenade was the boulevard du Temple, where every day, especially Thursdays, hundreds of carriages were to be seen driving up and down or standing under the shade of trees now replaced by houses, shops, and caf��s. Young men rode in and out amongst them, notorious members of the demi-monde tried to surpass every one in the splendour of their dress and carriages. A certain Mlle. Renard had her carriage drawn by four horses, their harness studded with imitation jewels. It was not an age of imitation. In those days as a rule lace was real lace, jewels were real jewels, and if tawdry imitations and finery were worn it was by women of this class. Respectable people would never have dreamed of bedizening themselves with the sort of cheap rubbish with which the modern women of the lower classes delight to disfigure their houses and their dress.COMTE D��ARTOIS, AFTERWARDS CHARLES X.