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TWO:In art, as in everything else, it was still the age of the artificial. The great wigs and flowing drapery of the last reign had given place to powder and paint, ribbons and pompons, pink roses, and pale blue satin or velvet, �� la Pompadour.The Prince de Ligne invited them to see his splendid gallery of pictures, chiefly Rubens and Vandyke; they also visited him at his beautiful country place, and after enjoying themselves in Brussels, which was extremely gay, they made a tour in Holland. Mme. Le Brun entered with enthusiasm into all she saw. The quiet, ancient towns of North Holland, with their quaint streets of red-roofed houses built along canals, with only such narrow pavements on each side that no carts or carriages could come there, traffic being carried on by the great barges and boats gliding down the [49] canals, or on foot and on horseback as the pavements permitted; and Amsterdam with its splendid pictures; after seeing which they returned to Flanders to look again at the masterpieces of Rubens in public and private collections.

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THREE:II LA MARQUISE DE MONTAGU CHAPTER IEt les catins et les fripons?

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THREE:Nattier

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THREE:Likewise girls at fourteen or fifteen and even younger, who, with us, wear their hair down their backs, their petticoats half way up to their knees, and spend their time in lessons and play, were wives, mothers, court beauties, and distinguished members of society at the French Court of those days.ALL the great artists, musicians, actors, and literary people who had returned to Paris after the Terror came to the salon of Mme. de Genlis; and many were the strange and terrible stories they had to tell of their escapes and adventures.

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TWO:Nothing but reforms were talked of when Louis XVI. and Marie Antoinette came to the throne; but of course everything proposed excited the opposition and ridicule of one party or the other.

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THREE:The pavilion was pointed out, and several others followed, all with cloaks concealing more large objects.����How I regret that the death of this young prince deprived me of the happiness of opening the gates of France to him and rewarding his noble sentiments.���� [127]

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THREE:

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THREE:Barbier, writing in December, 1758, gives another sarcastic verse going about in society, which, as it was directed against the King��s all-powerful mistress, the Marquise de Pompadour, attracted general attention, irritated the King, and caused the author, who was discovered to be an officer of the guards, to be sentenced to a year��s imprisonment, after which to be banished to Malta, as he belonged to the order of St. John of Jerusalem.When Louis XV. remarked that it was a pity the Comte de Provence was not the eldest of his grandsons, that he knew what he was saying is evident [207] from the fact that though all three of them inherited the crown, the Comte de Provence was the only one who succeeded in keeping it.

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THREE:How she could have entertained so mad an idea seems inexplicable; but in fact, bad as the French news was, she was far from understanding the frightful state of the country. In those days news travelled slowly, important events only became partially known long after they had taken place; and as to private letters, people dared not put in them anything which might endanger either themselves or their friends.From the first moment of this interview Tallien was seized with an overpowering passion for her, which he was compelled to conceal by the presence of the gaoler, who waited to re-conduct the prisoner to her cell, and before whom if he showed either pity or sympathy, in spite of all his power as a leader of the Revolution, he would endanger his own safety and increase her danger. Therefore he only bowed, signed to her to sit down, and took a chair opposite her.

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