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FORE: FORE:In the end stall the bronco was still squealing and whimpering in an almost human key. He struck it on the flank with his open palm and spoke, "Get over[Pg 210] there." It had been made so much of a pet, and had been so constantly with him, that it was more intelligent than the average of its kind. It got over and stood quiet and still, trembling. He cut the halter close to the knot, turned it out of the stall, and flinging himself across its back dug his heels into its belly.
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Under such guidance as this. Platonism had made but little way. We saw, in the concluding sections of the last chapter and in the opening section of the present chapter, that it profited by the religious and literary revival of the second century, just as it was to profit long afterwards by the greater revival of the fifteenth century, so much so as to become the fashionable philosophy of the age. Yet, even in that period of its renewed splendour, the noblest of contemporary thinkers was not a Platonist but a Stoic; and although it would be unfair to measure the moral distance between the Porch and the Academy by the interval which separates an Aurelius from an Apuleius, still it would seem as if naturalism continued to be the chosen creed of strenuous and dutiful endeavour, while spiritualism was drifting into an alliance with hysterical and sensuous superstition. If we may judge by the points which Sextus Empiricus selects for controversial treatment, Stoicism was still the reigning system in his time, that is to say, about the beginning of the third century; and if, a generation later, it had sunk into neglect, every rival school, except that of Epicurus, was in exactly the same condition. Thus the only advance made was to substitute one form of materialism for another, until Neo-Platonism came and put an end to their disputes by destroying the common foundation on which they stood; while, at the same time, it supplied a completely organised doctrine round which the nobler elements of the Hellenic revival could rally for a last stand against the foes that were threatening it from every side.He found that it had been father and son come from the Eastern states in search of the wealth that lay in that vague and prosperous, if uneasy, region anywhere west of the Missouri. And among the papers was a letter addressed to Felipa. Landor held it in the flat[Pg 146] of his hand and frowned, perplexed. He knew that it was Cairness's writing. More than once on this last scout he had noticed its peculiarities. They were unmistakable. Why was Cairness writing to Felipa? And why had he not used the mails? The old, never yet justified, distrusts sprang broad awake. But yet he was not the man to brood over them. He remembered immediately that Felipa had never lied to him. And she would not now. So he took the stained letter and went to find her.But it was not merely in the writings of professed philosophers that the new aspect of Platonism found expression. All great art embodies in one form or another the leading conceptions of its age; and the latter half of the seventeenth century found such a manifestation in the comedies of Molire. If these works stand at the head of French literature, they owe their position not more to their authors brilliant wit than to his profound philosophy of life; or rather, we should say that with him wit and philosophy are one. The comic power of Shakespeare was shown by resolving the outward appearances of this world into a series of dissolving illusions. Like Spinoza and Malebranche, Molire turns the illusion in, showing what perverted opinions men form of themselves and others, through misconceptions and passions either of spontaneous growth or sedulously fostered by designing hands. Society, with him, seems almost entirely made up of pretenders and their dupes, both characters being not unfrequently combined in the same person, who is made a victim through his desire to pass for what he is not and cannot be. And this is what essentially distinguishes the art of Molire from the New Comedy of Athens, which he, like other moderns, had at first felt inclined to imitate until the success of the Prcieuses Ridicules showed him where his true opportunities lay. For the New Comedy was Aristotelian where it was not simply humanist; that is415 to say, it was an exhibition of types like those sketched by Aristotles disciple, Theophrastus, and already prefigured in the masters own Ethics. These were the perennial forms in a world of infinite and perishing individual existences, not concealed behind phenomena, but incorporated in them and constituting their essential truth. The Old Comedy is something different again; it is pre-philosophic, and may be characterised as an attempt to describe great political interests and tendencies through the medium of myths and fables and familiar domesticities, just as the old theories of Nature, the old lessons of practical wisdom, and the first great national chronicles had been thrown into the same homely form.572Not only must they get the airplane back to the golf course and set it down and have its engine still, themselves being hidden before Jeff flew over it. Furthermore, they must get to the hangar and be somewhere near the field when Jeff brought home the amphibianor they would never know whether he and his companion had found anything or not.All right, my boy. Watch him, trail him, whatever you like. Ill give you each a thousand dollars if you can prove
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