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FORE:But it was not merely in the writings of professed philosophers that the new aspect of Platonism found expression. All great art embodies in one form or another the leading conceptions of its age; and the latter half of the seventeenth century found such a manifestation in the comedies of Moli��re. If these works stand at the head of French literature, they owe their position not more to their author��s brilliant wit than to his profound philosophy of life; or rather, we should say that with him wit and philosophy are one. The comic power of Shakespeare was shown by resolving the outward appearances of this world into a series of dissolving illusions. Like Spinoza and Malebranche, Moli��re turns the illusion in, showing what perverted opinions men form of themselves and others, through misconceptions and passions either of spontaneous growth or sedulously fostered by designing hands. Society, with him, seems almost entirely made up of pretenders and their dupes, both characters being not unfrequently combined in the same person, who is made a victim through his desire to pass for what he is not and cannot be. And this is what essentially distinguishes the art of Moli��re from the New Comedy of Athens, which he, like other moderns, had at first felt inclined to imitate until the success of the Pr��cieuses Ridicules showed him where his true opportunities lay. For the New Comedy was Aristotelian where it was not simply humanist; that is415 to say, it was an exhibition of types like those sketched by Aristotle��s disciple, Theophrastus, and already prefigured in the master��s own Ethics. These were the perennial forms in a world of infinite and perishing individual existences, not concealed behind phenomena, but incorporated in them and constituting their essential truth. The Old Comedy is something different again; it is pre-philosophic, and may be characterised as an attempt to describe great political interests and tendencies through the medium of myths and fables and familiar domesticities, just as the old theories of Nature, the old lessons of practical wisdom, and the first great national chronicles had been thrown into the same homely form.572It must further be noted that disbelief in a future life, as a philosophical principle, was not confined to the Epicureans. All philosophers except the Platonists and Pythagoreans were materialists; and no logical thinker who had once applied his mind to the subject could accept such an absurdity as the everlasting duration of a complex corporeal substance, whether consisting of gaseous or of fiery matter. A majority of the Stoics allowed the soul to continue its individual existence until, in common with the whole world, it should be reabsorbed into the elemental fire; but others looked forward to a more speedy extinction, without ceasing on that account to consider themselves orthodox members of the school. Of these the most remarkable instance is Marcus Aurelius. The great emperor was not blind to what seemed the enormous injustice of death, and did not quite see his way to reconciling it with the Stoic belief in a beneficent providence; but the difficulty of finding room for so many ghosts, and perhaps also the Heracleitean dogma of perpetual transformation, led him to renounce whatever hope he may at one time have cherished of entering on a new existence in some better world.359 A similar consequence was involved in the principles of the Peripatetic philosophy; and Alexander of Aphrodisias, the famous Aristotelian commentator, who flourished about 200 A.D., affirms the perishable nature of the soul on his own account, and, with perfect justice, attributes the same belief to Aristotle himself.360

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