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[133]Un magistrat homme de bien,
 
ONE:

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TWO:About the former, who was deeply in love with her, and most anxious to make her his wife, she did not care at all. She found him tiresome, and even the prospect of being a princess could not induce her to marry him. Besides, she had taken a fancy to the Marquis de Fontenay, whom she had first met at the house of Mme. de Boisgeloup, who was much older than herself, and as deplorable a husband as a foolish young girl could choose.

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TWO:The King, the royal family, but especially the Queen, were becoming every day more unpopular, the reforms introduced seemed to do no good, only to incite the populace to more and more extortionate demands. The King, having neither courage nor decision, inspired neither confidence nor respect.
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FORE:

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FORE:

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FORE:She had far better have remained in her old home, poor and free; for directly they were married she discovered the real character of her second husband: an ill-tempered, avaricious man, who refused his wife and step-children even the necessaries of life, although Lisette was foolish enough to give him all she earned by her portraits. She hated him still more because he had taken possession of her fathers clothes, which he wore, to her grief and indignation. Joseph Vernet, who, like many of her old friends, still interested himself in her, was furious at all this, and represented to her that she ought to pay a certain pension to her odious step-father and keep the rest of the money herself; but she feared such a [24] suggestion might make matters worse for her mother, and therefore went on allowing herself to be robbed.

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FORE:

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FORE:Returning at one oclock one morning from some theatricals at the Princess Menzikoff, she was met by Mme. Charot in consternation announcing that she had been robbed by her German servant of 35,000 francs, that the lad had tried to throw suspicion upon a Russian, but the money having been found upon him he had been arrested by the police, who had taken all the money as a proof, having first counted the gold pieces.

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FORE:Though her winters were generally spent in Paris, Pauline only went out quietly amongst her own friends, not entering at all into the society of the imperial court, which was altogether objectionable to her.

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TWO:CHAPTER V
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THREE:Just then her mother died after a short illness, which was a great shock to her; she had lived with or near her for many years since the death of her second husband, and had been the object of her devoted care.
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THREE:Whether this dastardly trick was done out of mere spite and envy, or only in order to save the reputation of the guilty woman at the expense of the innocent one, Mme. Le Brun never knew, and of course had no more communication with the person in question.For she adored her grandchildren, whom she kept entirely under her own control, allowing their parents to have no voice in their education, which she certainly directed with great care and wisdom.
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THREE:Monsieur, I have just been hearing so much nonsense about this portrait, that really I dont know whether I have been working like an artist or a sign-painter.
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TWO:
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TWO:Que deviendront nos grands seigneurs?CHAPTER IV
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TWO:They received Mme. Le Brun very kindly, and she next went to see the Comtesse de Provence, for the second and third brothers, the Counts of Provence and Artois, had taken refuge at their sisters court.The last at which Mme. Le Brun was present was the Mariage de Figaro, played by the actors of the Comdie Fran?aise; but, as she observes in one of her letters, Beaumarchais [26] must have intolerably tormented M. de Vaudreuil to induce him to allow the production of a piece so improper in every respect. Dialogue, couplets, all were directed against the court, many belonging to which were present, besides the Comte dArtois himself. Everybody was uncomfortable and embarrassed except Beaumarchais [27] himself, who had no manners and [63] was beside himself with vanity and conceit, running and fussing to and fro, giving himself absurd airs, and when some one complained of the heat, breaking the windows with his stick instead of opening them.
THREE:Amongst other old friends whom she now frequented was the Comtesse de Sgur, who equally disliked the alterations in social matters.Mme. Le Brun painted the portrait first of Madame Adla?de, then of Madame Victoire.
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To walk about Paris was at first most painful to Mme. de Montagu. The sound of carts in the streets made her shudder, the churches were [259] mostly in ruins or closed. The few that were open were served by prtres asserments.The young Comte de Beaujolais, in the innocence [427] of his soul, has always remained a Bourbon, and this amiable boy feels a tender sympathy for my misfortunes. The other day he sent me in secret a person named Alexandre, a valet de chambre of good education. This worthy man, whose open expression impressed me in his favour, knelt down when he came near me, wiped away some tears and gave me a letter from the young prince, in which I found the most touching words and the purest sentiments. The good Alexandre begged me to keep this a profound secret, and told me that the Comte de Beaujolais often talked of escaping from his father and dying in arms for the defence of his King.The demi-monde at that time kept themselves apart from the rest of the company; Frenchmen of good position and manners did not appear with them in public. If they were with them at the theatre it was in a closed box; though in her Souvenirs Mme. Le Brun declares that the fortunes made by them and the men ruined by their extravagance far surpassed anything of the kind after the Revolution.
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