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ONE:Its the amphibian, and no mistake! Larry cried, running down the beach toward the titled craft.
GRAB IT HERE NOW
FORE:One of the series of four Paintings entitled "The Election," by W. Hogarth.

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FORE:Something new has come up, sir. I was waiting there by my ship a good while back, and I heard another one cruising and spiraling, shooting the field, I guess, because he came in and set down. My crate, just the way you ordered, was down by the grove, not in plain sight in the middle of the course. But Jeff set his ship down, left the engine running, and went off. I stayed hid to see what would happen, but when he didnt come back, I thought Id better go and find youand see if it meant anything to you.

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FORE:Lets search the estate! urged the pilot.

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Dick, instantly catching Larrys notion, went to the forward seat, while Larry took the second compartment behind the big fuel tank.Then she tried to read, but the whisper of savagery was in the loneliness and the night. She sat with the book open in her lap, staring into a shadowy corner where there leaned an Indian lance, surmounted by a war bonnet. Presently she stood up, and stretched her limbs slowly, as a beast of prey does when it shakes off the lethargy of the day and wakens for the darkness. Then she went out to the back of the tents.No excitementnow, I wonderWe have now to show what new beliefs gained most ground, and what old beliefs were most successfully revived, through the combination of favourable conditions, an analysis of which has been attempted in the preceding pages. Among the host of creeds which at this period competed with one another for the favour of the rich or for the suffrages of the poor, there were some that possessed a marked advantage over their rivals in the struggle for existence. The worship of Nature considered as imaging the vicissitudes of human life, could not fail to be the most popular of any. All who desired a bond of sympathy uniting them with their fellow-subjects over the whole empire, and even with the tribes beyond its frontiers, might meet on this most universal ground. All who wished to combine excitement with devotion were attracted by the dramatic representation of birth and death, of bereavement and sorrow and searching, of purification through suffering, and triumphant reunion with the lost objects of affection in this or in another world. Inquisitive or innovating minds were gratified by admission to secrets a knowledge of which was believed to possess inestimable value. And the most conservative could see in such celebrations an acknowledgment, under other forms, of some divinity which had always been reverenced in their own home, perhaps even the more authentic reproduction of adventures already related to them as dim and uncertain traditions of the past. More than one such cultus, representing under the traits of personal love and loss and recovery, the death of vegetation in winter and its return to life in spring, was introduced from the East, and obtained a wide popularity through the empire. Long before the close of the republic, the worship of Cybele was established in Rome with the sanction of the Senate. Other Asiatic deities of a much less respectable character, Astarte and the so-called Syrian goddess, though not officially215 recognised, enjoyed a celebrity extending to the remotest corners of the western world.327 Still greater and more universal was the veneration bestowed on Isis and Serapis. From the prince to the peasant, from the philosopher to the ignorant girl, all classes united in doing homage to their power. Their mysteries were celebrated in the mountain valleys of the Tyrol, and probably created as much excitement among the people of that neighbourhood as the Ammergau passion-play does at present.328 An inscription has been discovered describing in minute detail an offering made to Isis by a Spanish matron in honour of her little daughter. It was a silver statue richly ornamented with precious stones, resembling, as our authority observes, what would now be presented to the Madonna,329 who indeed is probably no more than a Christian adaptation of the Egyptian goddess. And Plutarch, or another learned and ingenious writer whose work has come down to us under his name, devotes a long treatise to Isis and Osiris, in which the mythical history of the goddess is as thickly covered with allegorical interpretations as the statue dedicated to her by the Spanish lady was with emeralds and pearls.
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