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THREE:Speaking of Pulch��rie in her journal, Mme. de [410] Genlis, it may be remarked, does not venture to lavish upon her the unstinted praises which she pours upon her sister; but remarks that when she left her care and entered society on her marriage, she had the most excellent ideas and sentiments, the purest mind, and the highest principles possible.

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THREE:C��est pour vous un fort vilain casM. de Montagu, remembering his wife��s proceedings with the former baby, insisted upon the others being brought up in the country, and Pauline again went out with her father-in-law, receiving a great deal of admiration which delighted him, but about which she cared very little. She was very pretty, considered very like what the Duchess, her mother, had been at her age, and perfectly at her ease in society, even when very young, and timid with her new relations; not being the least nervous [199] during her presentation at Versailles, which was rather a trying and imposing ceremony.

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THREE:F��licit�� seems, however, to have always considered that she made a mistake, or, indeed, as she says, committed a fault, one of the greatest in her life, by doing so; if so, it does not appear to be a surprising one, as the plan certainly would have offered strong attractions and inducements even to a woman less vain and ambitious than she was, but [385] it is certain that it caused many calamities and exercised an evil influence for which no advantages could compensate. She left the h?tel de Puisieux before Madame was up in the morning, as she dreaded the parting, and as her apartment in the Palais Royal was not ready she was lodged in one that had belonged to the Regent, with a door into the rue de Richelieu. She nearly had an accident before she got out of the carriage, and felt low-spirited and unhappy, wishing herself back in her own room at the h?tel de Puisieux as she looked round the luxurious boudoir lined with mirrors, which she did not like at all, and which seemed associated with the orgies of the Regency, of which it had been the scene.

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